La Ravisseuse (2005)
Directed by Antoine Santana

Drama / Historical
aka: A Song of Innocence

Film Review

Abstract picture representing La Ravisseuse (2005)
With its suitably moody photography and design (which is strangely evocative of the novels of the Brontë sisters), La Ravisseuse offers a poignant account of the fate of many young women in bygone times - girls who were compelled to abandon their own new-born children so that they could work as nurses for the better off.  It is the second full-length film from the promising new director Antoine Santana, and stars the captivating Isild Le Besco, a talented young actress blessed with an almost unreal Pre-Raphaelite beauty (which serves this film particularly well).  Le Besco featured in Santana's previous film Un moment de bonheur (2002). Over the past few decades, Santana has worked as an assistant to Benoît Jacquot on several of his films, including L'École de la chair (1998), Les Adieux à la reine (2012) and Journal d'une femme de chambre (2015).

The film's atmospheric sombre cinematography and claustrophobic period sets are more successful at suggesting the tension between the three main characters than the insubstantial screenplay, although the performances - particularly those of Le Besco and Émilie Dequenne - effectively convey the tragedy and bleak injustice of Angèle-Marie's situation.  What most prevents the film from being a conventional period drama are its bizarre excursions into Cocteau-like surrealism, sequences which portray the mental flights of fancy of the protagonists.  The most striking of these is a haunting male masturbatory fantasy, an imaginative example of 'art erotica' which tacitly underscores the main theme of the film, the brutal subjugation of women.
© James Travers 2008
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

1870s France.  An 18-year-old nurse, Angèle-Marie, is hired to take care of the newly born baby of a young bourgeois couple, Julien et Charlotte Orcus.  Since giving birth, Charlotte has been unable to sleep with her husband, so he naturally finds himself drawn to the attractive young nurse.  Unaware of this, Charlotte begins to regard Angèle-Marie as a friend, and the latter reveals that before accepting the position as a nurse, she had just given birth herself...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Antoine Santana
  • Script: Véronique Puybaret, Antoine Santana
  • Cinematographer: Giorgos Arvanitis
  • Cast: Isild Le Besco (Angèle-Marie), Émilie Dequenne (Charlotte), Grégoire Colin (Julien), Anémone (Léonce), Frédéric Pierrot (Rodolphe), Bernard Blancan (Jacques), Christian Gasc (Le couturier), Aude Briant (Anna Devillers), Bernard Nissile (Henri Blanchard), Claudie Guillot (Henriette Blanchard), Edith Perret (Marguerite Orcus), Emmanuel Leconte (Armand de Teil), Antonio Cauchois (M. de Teil), Pierre Thoretton (Le photographe)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 90 min
  • Aka: A Song of Innocence

The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright