Der Tiger von Eschnapur (1959)
Directed by Fritz Lang

Film Review

After a successful period in Hollywood, Fitz Lang returned to Europe to make an ambitious romantic adventure film, of which this is the first instalment.  (The second and concluding part was Das Indische Grabmal ).  The scale of Lang's ambition is apparent in the sumptuous location filming and huge interior sets, but the absence of the director's renowned artistic sense is equally noticeable.  The garish design, characterless performances and general lack of atmosphere make this a very poor comparison with Lang's earlier achievements.  In contrast to such timeless works as Dr  Mabuse, der Spieler (1922),  Metropolis (1927) and M (1931), this film feels badly dated, a horribly kitsch attempt to imitate Indian culture without much in the way of charm and realism, and with certainly no great psychological or narrative depth.

Film Synopsis

The European architect Harald Berger travels to India at the request of Chandra, the Maharajah of Eschnapur, to oversee the construction of several public buildings, including schools and hospitals.  On the way, Berger comes to the rescue of an alluring young dancer, Seetha, when she is attacked by a ferocious tiger.  Even though the dancer is already promised to the Maharajah, the architect cannot help falling in love with her, and she reciprocates his feelings.  When he gets to hear of this affair, the Maharajah's ambitious brother, Prince Ramigani, realises that it may be of some service in his attempt to seize the throne.  By exercising considerable cunning and courage, Berger is able to save himself and the woman he loves as Ramigani and Chandra come to blows...