Comment réussir... quand on est con et pleurnichard (1974)
Directed by Michel Audiard

Comedy
aka: How to Make Good When One Is a Jerk and a Crybaby

Film Review

Great cast, pity about the script.   The flair for screenwriting which Michel Audiard showed in films for other directors is strangely lacking in the films which he himself directed.  A few brilliant visual gags aside, Comment réussir... quand on est con et pleurnichard is a pretty tedious run-about farce which suffers from a lamentably weak narrative and some pretty feeble attempts at humour revolving mostly about female nudity.  (At times, it looks as if this was intended as a clumsy send-up of Just Jaeckin's controversial erotic drama Emmanuelle, released the same year.)  Fortunately, Audiard's star-studded cast, which includes such talented performers as Jean Rochefort and Stéphane Audran, can be called upon to make a sub-mediocre comedy mildly entertaining.
© James Travers 2008
The above content is owned by frenchfilms.org and must not be copied.
Next Michel Audiard film:
Faut pas prendre les enfants du bon Dieu pour des canards sauvages (1968)

Film Synopsis

Antoine Robineau manages to sell his homemade alcoholic drinks not by promoting their positive attributes, which are non-existent, but by playing on the sympathy of his clients.  He soon discovers that by employing the same technique in his personal life, he is able to attract some very desirable women, who assist him in his ascent of the social ladder...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Michel Audiard
  • Script: Fred Kassak, Jean-Marie Poiré, Michel Audiard
  • Cinematographer: Maurice Fellous
  • Music: Eddie Vartan
  • Cast: Jean Carmet (Antoine Robineau), Stéphane Audran (Cécile Malempin), Jane Birkin (Jane), Jean-Pierre Marielle (Gérard Malempin), Jean Rochefort (Foisnard), Evelyne Buyle (Marie-Josée), Féodor Atkine (Le mime du cabaret), Laurence Badie (Une employée de l'hôtel), Paul Bisciglia (Le chasseur PLM), Jacques Canselier (Le surveillant TV PLM), Robert Dalban (Léonce), Jacqueline Doyen (Mme Léonce), Jean-Claude Dreyfus (Le transformiste du cabaret), Bernard Dumaine (Le réceptionniste PLM), Anne Fleurange (Une employée PLM), Sébastien Floche (Marcel), Jacqueline Fontaine (La femme de Marcel), Ginette Garcin (L'infirmière-chef), Jeanne Herviale (Maman Robineau), Rudy Lenoir (Le client allemand PLM)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 90 min
  • Aka: How to Make Good When One Is a Jerk and a Crybaby

The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The greatest French Films of all time
sb-img-4
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright