What the Butler Saw (1950)
Directed by Godfrey Grayson

Comedy

Film Review

Abstract picture representing What the Butler Saw (1950)
Before it came to be known as a purveyor of low budget but beautifully atmospheric horror offerings, the British film production company Hammer ambled along with a ragbag portfolio of comedies, thrillers and radio adaptations.  What the Butler Saw is one of the more enjoyable of the comedies made by Hammer in its pre-horror glory days, one that feels uncannily like a collaborative effort from P.G. Wodehouse and Georges Feydeau - a lively country house farce in which a Lord Emsworth-like earl and his efficient butler cause mayhem as they try to deal with the problem of an unwelcome intruder, in the form of a South Sea island beauty who has a habit of removing her clothes at the worst possible moment.  We have the British censor to thank for the fact that we end up seeing a good deal less than the butler.

Henry Mollison and Edward Rigby are excellent as the fastidious butler and his liberal minded master, although when it comes to fielding the gags that are lobbed in his direction Michael Ward (later to become a fixture of British comedies with his ultra-camp performances) emerges as the unbeaten champion.  Vastly superior to the slew of comedies that Hammer churned out in the 1970s (adapted from popular British TV sitcoms) What the Butler Saw is an idiosyncratic little comedy gem that deserves to be far more widely appreciated than it is.
© James Travers 2014
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

In the dim and distant days when Great Britain still had an empire and knew how to run it, a member of the British aristocracy - an earl no less - was happily ensconced as the proud governor of the most paradisiacal South Sea island.  Once his term of governorship is over, the earl returns to his ancestral seat in England, accompanied by his ever-loyal butler Bembridge.  Naturally, being an Englishman, the earl has accumulated quite a few knick-knacks in the course of his adventures overseas, and these are safely packed up in a number of wooden crates that have just been delivered to his vast country estate.

As well as the obligatory hunting trophies there is a most unusual memento - a beautiful island princess named Lapis.  The latter is so infatuated with the butler that she has made up her mind to take him as her husband.  To mark his home coming, the earl hosts a lavish dinner party, but this gets completely out of hand when Lapis appears from nowhere and frolics about completely naked.  This is not the end of the earl's problems, quite the contrary.  It so happens that Lapis's father is something of bigwig on the island.  Fearing that his daughter has been abducted by the British, he has raised an army and is now preparing to go to war with the island's new governor.  It is up to Bembridge to save the day...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Godfrey Grayson
  • Script: Donald Good (story), Roger Good (story), Edward J. Mason, A.R. Rawlinson
  • Cinematographer: Walter J. Harvey
  • Cast: Edward Rigby (The Earl), Henry Mollison (Bembridge), Mercy Haystead (Lapis), Michael Ward (Gerald), Eleanor Hallam (Lady Mary), Peter Burton (Bill Fenton), Anne Valery (Elaine), Harold Charlton (Perks), Alfred Harris (Bishop), George Bishop (The General), Norman Pitt (Policeman), Tonie MacMillan, Mollie Palmer
  • Country: UK
  • Language: English
  • Support: Black and White
  • Runtime: 61 min

The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright