To Kill a Priest (1988)
Directed by Agnieszka Holland

Drama / History / Thriller

Film Review

Abstract picture representing To Kill a Priest (1988)
To Kill a Priest was Agnieszka Holland's first film to win her international recognition as a director, although it is far from being her best work. Compared with some of her later films (notably Olivier, Olivier (1992)) it looks pretty slight. The film is based loosely on the real-life assassination of the popular Polish priest Jerzy Popieluszko, to whom the film is dedicated, and is set in Poland in the early 1980s, a time of great political upheaval for that country.

Despite some solid performances from a respectable international cast, the film really just fails to engage the audience, and it certainly does not do its subject justice.  Part of the problem is that the film's central message is far too ambiguous, indeed muddled.   Stefan's moral dilemma and partial religious/political conversion is alluded to but never fully developed, and consequently he ends up losing our sympathy and attention.  Likewise, Father Aleks lacks substance and charisma, making it increasingly difficult to believe that he could be a threat to the Soviet regime or a popular figure with the unwashed masses.

The film does however have some noteworthy production values, and the cinematography and music are generally impressive (the highlight probably being Joan Baez's haunting rendition of 'The Crimes of Cain').  However, all this is little more than a superficial veneer to what is essentially an empty film which lacks depth and conviction, and whose meaning is frustratingly ambiguous.
© James Travers 2002
The above content is owned by frenchfilms.org and must not be copied.
Next Agnieszka Holland film:
Olivier, Olivier (1992)

Film Synopsis

Poland, 1981.  A Catholic priest, Father Alek, rallies behind the cause of the Solidarity movement, making himself popular with his congregation but hated by both the Church leaders and the Soviet-controlled Polish government.  He is most hated by the police official, Stefan, who is constantly frustrated at being unable to act against such flagrant dissidence.  Father Alek's enemies decide to make good use of Stefan's anger, and give him free reign to eliminate the troublesome priest...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Agnieszka Holland
  • Script: Jean-Yves Pitoun, Michael Cooper, Agnieszka Holland
  • Cinematographer: Adam Holender
  • Music: Georges Delerue
  • Cast: Christopher Lambert (Father Alek), Ed Harris (Stefan), Joss Ackland (Colonel), Tim Roth (Feliks), Timothy Spall (Igor), Pete Postlethwaite (Josef), Cherie Lunghi (Halina), Joanne Whalley (Anna), David Suchet (Bishop), Charlie Condou (Mirek), Tom Radcliffe (Young Soldier), Wojciech Pszoniak (Bridge Player), Paul Crauchet (Alek's Father), Matyelok Gibbs (Colonel's Wife), Brian Glover (Judge), Anne-Marie Pisani (Colonel's Secretary), Eugeniusz Priwieziencew (SB officer), Boguslawa Schubert (Secretary), Philip Whitchurch (SB Officer), Johnny Allen
  • Country: France / USA
  • Language: English
  • Support: Color
  • Runtime: 117 min

The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright