The Defiant Ones (1958)
Directed by Stanley Kramer

Drama / Crime

Film Review

Abstract picture representing The Defiant Ones (1958)
The Defiant Ones was one of the most effective racially themed dramas to come out of America in the late '50s, early '60s, a time when the race issue had risen to the top of the socio-political agenda in the United States thanks to the work of the African-American Civil Rights Movement.   The film may appear naively optimistic and a tad contrived by today's standards, but when it was released it was generally well-received, winning Oscars for its screenplay and cinematography.

This is the film that secured Sidney Poitier's standing as Hollywood's leading African-American actor, making him an overnight star.  The humanity and realism that Poitier brings to his performance in this and his subsequent films contributed significantly to the cause for racial equality, and not only in the United States.  Here, he is effectively partnered with Tony Curtis, who is just as impressive in his portrayal of a hardened racist thug who is compelled to overcome his racial prejudices in order to survive.  Many regard this as Curtis's finest hour; it is certainly his best dramatic role.

The Defiant Ones was directed by Stanley Kramer, a leading independent filmmaker who tackled a wide range of important social issues in the films he produced and directed around this time.  He would return to the race theme in a later film, Guess Who's Coming to Dinner (1967), which again featured Sidney Poitier championing the cause for racial tolerance, albeit from a lighter perspective.  Whilst this later film is better known and more accessible for a mainstream audience, The Defiant Ones is without doubt its superior, despite the all to obvious symbolism and clunky narrative.  The authentic performances from Poitier and Curtis bring a sobering reality to what was, at the time of the film's release, an unpalatable truth: a person's worth is not revealed by his skin colour but by what he does and how he treats his fellow man.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Next Stanley Kramer film:
Inherit the Wind (1960)

Film Synopsis

A party of convicts in a chain-gang are being transported under armed guard when their van falls over the edge of a ravine.  Two of the convicts, a white man named Jackson and a black man named Cullen, are uninjured in the accident and go on the run, chained together.  The men's first priority is to find tools to remove their handcuffs, but when they attempt to break into a general store in a small town, they are captured and nearly lynched.  One of the townsfolk helps them to escape and they continue their flight across open country.  They then run into a young boy who takes them back to the small farmstead where he lives with his mother.  The latter takes an instant liking to Jackson and plans to head south with him, hoping to start a new life.  The woman tricks Cullen into crossing a swamp in order to get to the railway, knowing full well that he will drown in the attempt.  Realising that his friend is in danger, Jackson hurries to his aid....
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Stanley Kramer
  • Script: Nedrick Young, Harold Jacob Smith
  • Cinematographer: Sam Leavitt
  • Music: Ernest Gold
  • Cast: Tony Curtis (John 'Joker' Jackson), Sidney Poitier (Noah Cullen), Theodore Bikel (Sheriff Max Muller), Charles McGraw (Capt. Frank Gibbons), Lon Chaney Jr. (Big Sam), King Donovan (Solly), Claude Akins (Mack), Lawrence Dobkin (Editor), Whit Bissell (Lou Gans), Carl 'Alfalfa' Switzer (Angus), Kevin Coughlin (Billy), Cara Williams (Billy's Mother), Harold Jacob Smith (Prison Truck Driver), Nedrick Young (Prison Guard in Truck)
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 97 min

The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright