The Card (1952)
Directed by Ronald Neame

Comedy / Drama
aka: The Promoter

Film Review

Abstract picture representing The Card (1952)
Arnold Bennett's charming satirical novel of 1911, which recounts the adventures of an incorrigible social climber and opportunist, is vividly brought to life in this film, one of Ronald Neame's early credits as a director.  Neame had previously made a name for himself as a cinematographer and screenwriter on David Lean's first few films, most notably Blithe Spirit (1945), and would go on to have a successful career as a director and film producer.

One of England's premier actors at the time, Alec Guinness, is perfectly cast as the ruthless (note the pun) yet loveable Denry Machin.  He revels in the part, which appears to have been created especially for him.  With his customary charm and flair for genial comedy, Guinness makes the ambitious Machin less of a scoundrel and more a sympathetic rogue whose great cause in life is, as the film succinctly puts it, to cheer us all up.

Whilst the film belongs to Guinness, the supporting cast put in some notable contributions.  Valerie Hobson is marvelous as the unflappable Countess of Chell, Glynis Johns is both hilarious and grating as the manipulative Ruth Earp (a somewhat less palatable version of Guinness's sympathetic social climber) and Petula Clark is delightful as Nellie.  The film's excellent cinematography and design capture magnificently the period setting of Bennett's Five Towns in the late 1800s.  All in all, The Card is an enjoyable social satire on the dubious art of self-promotion.
© James Travers 2008
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Bursley is one of the Five Towns in Staffordshire, the heartland of Britain's ceramics industry.  Despite his humble origins as the son of a poor washerwoman, Edward Henry Machin would rise to become Bursely's most famous figure in the 1890s, a man who can quite rightly be called a Card.  Whilst not entirely dishonest, Denry (as his mother calls him) does believe in seizing every opportunity Fate puts in his way, and giving Providence a helping hand whenever he can.  This is how he manages to get himself invited to a grand ball hosted by the influential Countess of Chell, how he makes his first success as a rent collector, how he earns a small fortune selling pleasure trips at the seaside, and how he realises his biggest enterprise of all, a universal thrift company.   A wealthy and happy man, Denry has only one ambition left - to become mayor of Bursley...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Ronald Neame
  • Script: Arnold Bennett (novel), Eric Ambler
  • Cinematographer: Oswald Morris
  • Music: William Alwyn
  • Cast: Alec Guinness (Edward Henry 'Denry' Machin), Glynis Johns (Ruth Earp), Valerie Hobson (Countess of Chell), Petula Clark (Nellie Cotterill), Edward Chapman (Herbert Duncalf), Veronica Turleigh (Mrs. Machin), George Devine (Mr. H. Calvert), Joan Hickson (Mrs. Codleyn), Frank Pettingell (Police Superintendent), Gibb McLaughlin (Emery), Joey the Mule (Joey the Mule), Peter Copley (P. Shillitoe), Mark Daly (Lord Mayor), Deidre Doyle (Widow Hullins), Henry Edwards (Mr. Cotterill), Lyn Evans (Cregeen), Tom Gill (Miriam's Young Man), Harold Goodwin (John), Matthew Guinness (Denry as a Boy), May Hallatt (Ladies Committee Member)
  • Country: UK
  • Language: English
  • Support: Black and White
  • Runtime: 91 min
  • Aka: The Promoter

The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright