The Battle of the Sexes (1959)
Directed by Charles Crichton

Comedy

Film Review

Abstract picture representing The Battle of the Sexes (1959)
Even by the late 1950s, when it was first released, The Battle of the Sexes must have seemed somewhat dated.  Today, it feels positively antediluvian.  Still, it offers a superlative cast, including two of Britain's legendary comedy performers, Peter Sellers and Robert Morley, and is briskly directed by Charles Crichton.  The latter is of course best known for his classic Ealing comedies, Hue and Cry (1947) and The Lavender Hill Mob (1951), and whilst this later comic offering barely passes mustard when compared with Crichton's earlier triumphs, it is nonetheless fun to watch.

Never mind the daft plot and the unsubtle swipes at feminism and modern business practices.  Just enjoy Sellers's bravura turn in one of his more unhinged character roles, a meek office clerk who believes he can commit the perfect murder (with an egg whisk).  The satirical edge may be blunter than a trades union spokesman after he has been handed a parking ticket but Sellers and Morlay come up with the goods, yanking as much humour as they can humanly manage from a so-so screenplay.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.
Next Charles Crichton film:
Birdman of Alcatraz (1962)

Film Synopsis

When Old Macpherson dies, his son Robert inherits his thriving Edinburgh-based tweed clothing business.  On his return to Scotland from America, the young Macpherson runs into Angela Barrows, a business consultant who agrees to look over his company with a view to modernisation.  Angela is astonished to discover that the tweed is being manufactured using out-dated traditional methods by hundreds of weavers spread over several Scottish islands.  Her plan is to centralise the entire weaving operation in one large factory, thereby achieving enormous efficiency gains.  Naturally, Angela's planned changed are ill-received by Macpherson's loyal staff, particularly the humdrum accountant Mr Martin.  When he realises that he might be for the chop, Martin decides there is only one course of action.  Inspired by a Sherlock Holmes film, he decides that the time has come for Angela Barrows to die.  The battle of the sexes has just begun...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Charles Crichton
  • Script: Monja Danischewsky, James Thurber (story)
  • Cinematographer: Freddie Francis
  • Music: Stanley Black
  • Cast: Peter Sellers (Mr. Martin), Robert Morley (Robert Macpherson), Constance Cummings (Angela Barrows), Jameson Clark (Andrew Darling), Ernest Thesiger (Old Macpherson), Donald Pleasence (Irwin Hoffman), Moultrie Kelsall (Graham), Alex Mackenzie (Robertson), Roddy McMillan (Macleod), Michael Goodliffe (Detective), James Gibson (Nightwatchman), Noel Howlett (Mr. White), Abe Barker (Mr. Meekie), Gordon Phillott (Mr. Munson), William Mervyn (Detective's Friend), Norman Macowan (Jock Munro), MacDonald Parke ('C.J.' (also as Macdonald Parke)), Patricia Hayes (Jeannie Macdougall), Eric Woodburn (Wine Shop Proprietor), Donald Bisset (Tobacconist)
  • Country: UK
  • Language: English
  • Support: Black and White
  • Runtime: 84 min

The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright