Superlove (1999)
Directed by Jean-Claude Janer

Drama

Film Synopsis

The Holy Mother is very selective in whom she chooses to show herself to these days.  Not one for the celebrity phenomenon that plagues our modern era, she tends to keep herself to herself, putting in the odd appearance now and again just to keep the old faith alive and reassure her believers that they are on the right lines.  This is why Mario feels so especially honoured when the Virgin Mary appears to him one day.  For this ordinary barber in a small provincial town, it is the last thing he would have expected.  Mario shows his gratitude by taking the saintly apparition back home with him and introducing her to his parents.

The latter are understandably over the moon to make the acquaintance of the mother of the Son of God - it's not the kind of thing that happens every day.  Thinking it would be discourteous to do otherwise, they offer her a room in their modest homestead.  From the moment that the Virgin Mary enters Mario's household the whole family undergoes a remarkable transformation.  Mario and his family begin to change their behaviour, in ways that might be considered eccentric, even freakish.  Mario is the one who is most affected - now he feels he is on a mission and must tell the truth at all times.   The Holy Mother is the cause of all this, but what will Mario do when he discovers that she is not quite what she appears to be.  In fact, far from being a divine personage, she has something of the Devil in her...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jean-Claude Janer
  • Script: Hélène Angel, Jean-Claude Janer, Agnès de Sacy
  • Cinematographer: Mário Barroso
  • Music: Julien Baer
  • Cast: Grégoire Colin (Mario), Isabelle Carré (Marie-Hélène), Carmen Maura (Teresa), Marthe Villalonga (Mamie Doradée), Luis Rego (Maurice), Michèle Moretti (Simone Rosin), Thierry de Peretti (Bébert), Katia Khazak (Carolina), Guilaine Londez (Brigitte Doradée), Annie Perret (Françoise Doradée), Marie-Paule Trystram (Sonia), Evelyne Istria (Madame Ravinard), Maryse Feral (Madame Toussi), Arnaud Binard (Stéphane), Catherine Hosmalin (Mère de Willy), Thierry Levaret (Johnny), Valérie Becquet (Fiancée de Johnny), Ewa Charier (Institutrice), Pierre Lajournade (Enfant secte), Julia Bou (Enfant secte)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 88 min

The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright