Sommersby (1993)
Directed by Jon Amiel

Drama / Mystery / Romance

Film Synopsis

Jack Sommersby returns to his home village after the American Civil War.  Here, he is delighted to meet up with his son, his friends and, most of all, his wife Laurel.  However, the latter does not appear to recognise Jack as the man she married some time ago.  In fact, she had hoped he was dead, as she has made plans to marry another man, Orin Meacham.  Laurel is surprised to find that her husband has completely changed.  The Jack who has retuned to her is not a bit like the intimidating bully who left her.  He is a gentler, more considerate man, and does things that the old Jack would never do, such as read to his son in the evenings.  As Jack and Laurel resume their conjugal life, Meacham begins to suspect that his rival is an impostor...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jon Amiel
  • Script: Daniel Vigne, Jean-Claude Carrière, Nicholas Meyer (story), Anthony Shaffer (story), Sarah Kernochan
  • Cinematographer: Philippe Rousselot
  • Music: Danny Elfman
  • Cast: Richard Gere (John Robert 'Jack' Sommersby), Jodie Foster (Laurel Sommersby), Bill Pullman (Orin Meecham), James Earl Jones (Judge Barry Conrad Issacs), Lanny Flaherty (Buck), William Windom (Reverend Powell), Wendell Wellman (Travis), Brett Kelley (Little Rob), Clarice Taylor (Esther), Frankie Faison (Joseph), R. Lee Ermey (Dick Mead), Richard Hamilton (Doc Evans), Karen Kirschenbauer (Mrs. Evans), Carter McNeese (Storekeeper Wilson), Dean Whitworth (Tom Clemmons), Stan Kelly (John Green), Stephanie Weaver (Mrs. Bundy), Khaz B (Eli), Josh McLerran (Boy 1), Mark Williams (Boy 2)
  • Country: France / USA
  • Language: English
  • Support: Color
  • Runtime: 114 min

The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright