Sauf le respect que je vous dois (2005) Directed by Fabienne Godet
Drama
Film Review
This first feature from Fabienne Godet, a former psychologist turned
director, promises much - an impressive cast (including Oscar winner
Marion Cotillard) and an intriguing opening sequence in the film noir
tradition. Things start off well enough - the performances and
camerawork bring a striking realism and an intense mood of oppression
and hopelessness, whilst the first person perspective effectively
conveys to us the troubled psychological state of the central
protagonist.
The problems emerge towards the middle of the film when some awkward
contrivances creep into the plot and the secondary characters appear
too thinly sketched for them to support the rest of the
narrative. The relentlessly austere mood of the film soon becomes
monotonous and, far from winning our sympathy, the main character
begins to appear unlikeable, despite a creditable performance from
Olivier Gourmet. Sauf le
respect que je vous dois is an acceptable debut film with many
strengths but it suffers from a slight lack of focus and credibility in the
screenwriting department.
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
François Durrieux works for a company where everyone is expected to
give one hundred per cent all of the time. There is no place for slackers
in this efficient, well-oiled organisation. Unfortunately, François's
new boss has a habit of pushing people too far and an aura of nervous tension
now pervades the company. Things come to a head one day when one of
François's colleagues, a close friend named Simon, gets himself dismissed.
Devastated, Simon commits suicide in his office not long after he was fired.
François is so shocked by this turn of events that he feels he must
resign his position at once. Confused and disgusted, his one thought
is to take his revenge out on his former boss. And things had been
going so well for the happily married forty year old. Now his whole
world is about to fall apart...
Cast:Olivier Gourmet (François Durrieux),
Dominique Blanc (Clémence Durrieux),
Julie Depardieu (Flora),
Marion Cotillard (Lisa),
Jeffrey Barbeau (Benjamin Durrieux),
Jean-Michel Portal (Simon Lacaze),
Jean-Marie Winling (Bruner),
Pascal Elso (Marc),
François Levantal (Jean),
Guy Lecluyse (Grégory),
Martine Chevallier (Julie),
Hans Meyer (Lunel),
Marie Piton (Agnès),
Yvan Garouel (Autre collègue),
Blandine Lenoir (Marie),
Ludmila Ruoso (Anna),
Jean-Pierre Lazzerini (Rédacteur),
Philippe Sivy (Alex),
Mado Maurin (Patronne de l'hôtel),
Fabienne Mai (Grand-mère d'Alex)
Country: France
Language: French
Support: Color
Runtime: 90 min
The best of American cinema
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.