Pour la peau d'un flic (1981)
Directed by Alain Delon

Crime / Thriller

Film Review

Abstract picture representing Pour la peau d'un flic (1981)
One of the most iconic screen actors of the 1970s, Alain Delon turned his hand to directing in the 1980s, starting with this conventional action-packed policier in which he - not surprisingly - took the leading role.  Having previously starred in a dozen or so crime-thriller films, Delon would seem ideally placed to direct such a film - particularly when he had previously served under such distinguished masters of the genre as Jean-Pierre Melville, Jacques Deray and José Giovanni.   Delon the film director is not nearly as impressive as Delon the actor, but Pour la peau d'un flic is a respectable debut effort, and actually makes rather a good policier for its time.  Delon followed this with two other watchable thrillers: Le Choc (1982) and Le Battant (1983).

Starring alongside Delon in this film is the young Anne Parillaud, a decade before she would become a cult figure for her leading role in Luc Besson's thriller Nikita (1990).  Parillaud and Delon work together well, each bringing an unexpected self-deprecating sense of humour  -  a side which is rarely seen in Delon's films (presumably because his directors thought it might tarnish the tough Delon image).

Although the film is generally well structured, it does ultimately get a little tangled up in its exposition - a fault typical of many French thrillers of this époque, as screen writers attempted to be even more clever with their plots.  Fortunately, there are plenty of treats to keep the spectator of average intelligence engaged and entertained - a charismatic male lead, a sexy female sidekick, a spectacular nocturnal car chase and, of course, loads of gratuitous body pulverising violence.
© James Travers 2003
The above content is owned by frenchfilms.org and must not be copied.
Next Alain Delon film:
Le Choc (1982)

Film Synopsis

Choucas gave up working as a regular cop some years ago and now he earns his crust as a private detective, assisted by his old friend Haymann.  His methods are not those that his erstwhile colleagues would approve of, but this is what gives him his edge over the police.  It is through one such colleague, Superintendent Coccioli, that he takes on the case of a missing blind girl.  What appears at first to be a straightforward kidnapping soon turns out to be something far more serious when the girl's elderly mother, Madame Pigot, is shot dead in front of Choucas before she can supply him with valuable information.

The detective is still trying to make sense of this bizarre turn of events when he starts receiving threats from an unknown aggressor.  He is then attacked by a police officer intent on murdering him.  To save himself, Choucas is forced to kill the aggressive cop, but he then finds himself charged with two murders.  As he goes on the run, the detective realises that if the police don't get him his real enemy - whoever that might be - almost certainly will.  The stakes are raised even higher when Choucas's secretary and mistress, Charlotte, is abducted.  The detective now finds he must risk his own skin to prevent an innocent woman from being the killers' next victim...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Alain Delon
  • Script: Jean-Patrick Manchette (novel), Alain Delon, Christopher Frank
  • Cinematographer: Jean Tournier
  • Cast: Alain Delon (Choucas), Anne Parillaud (Charlotte), Daniel Ceccaldi (Coccioli), Jean-Pierre Darras (Commissaire Chauffard), Xavier Depraz (Kasper), Jacques Rispal (Professeur Bachhoffer), Gérard Hérold (Pradier), Pierre Belot (Jude, le pharmacien), Annick Alane (Isabelle Pigot), Pascale Roberts (Renée Mouzon), Jean Barney (Le premier ricaneur), Etienne Chicot (Le second ricaneur), Willy Holt (L'homme qui a tué Fanch Tanguy), Michel Auclair (Haymann), Michel Berreur (Pérez), Philippe Castelli (Jean le barman), Max Desrau (Le capitaine Melis-Sanz), Marie Marczack (La femme au casino), Jacques Pisias (Le commissaire Madrier), Arielle Sémenoff (Marthe Pigot)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 105 min

The greatest French Films of all time
sb-img-4
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright