Once Upon a Honeymoon (1942)
Directed by Leo McCarey

Comedy / Romance / War

Film Review

Abstract picture representing Once Upon a Honeymoon (1942)
Director Leo McCarey and actor Cary Grant followed up their first collaboration, the hit comedy The Awful Truth (1937), with this convoluted wartime comedy-drama in which Grant is paired, somewhat unsuccessfully, with Ginger Rogers.  The film is entertaining enough and delivers some good laughs but is weighed down by its wartime propaganda messages, which have about as much subtlety as a poster with the words "Fight Hitler or he will eat your babies raw".   Rogers' limited skill as an actress has never been more apparent but Grant makes up for this deficit, turning in another of his delectably smooth performances.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Vienna, 1938.  An American socialite Katherine Butt-Smith - in truth a one-time stripped named Katie O'Hara - is about to get married to the influential Baron Von Luber.  Suspecting that her husband-to-be is a Nazi sympathiser, reporter Pat O'Toole tries to interview Katie, but is frightened off by Von Uber.  When Katie and the Baron move on to Prague, Pat follows and learns that Von Luber is selling dud weaponry to the Czech military.  Shortly before Czechoslovakia falls to the Nazis, the Baron and Katie move on again, this time to Poland.  Having learned the truth about her husband, Katie flees to Paris, via several other European countries, with Pat.  As the French capital falls to the Germans, Katie allows herself to be recruited as an American secret agent, much to the annoyance of Pat, who only wants to head back home and live a quite life...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Leo McCarey
  • Script: Sheridan Gibney (play), Leo McCarey (story)
  • Cinematographer: George Barnes
  • Music: Robert Emmett Dolan
  • Cast: Cary Grant (Patrick 'Pat' O'Toole), Ginger Rogers (Kathie O'Hara), Walter Slezak (Baron Franz Von Luber), Albert Dekker (Gaston Le Blanc), Albert Bassermann (Gen. Borelski), Ferike Boros (Elsa), John Banner (German Capt. Von Kleinoch), Harry Shannon (Ed Cumberland), Natasha Lytess (Anna), Fred Aldrich (German Storm Trooper), Frank Alten (Official Saying 'Spontaneity'), Felix Basch (Herr Kelman), Brandon Beach (Civilian), Walter Bonn (German Officer), Ace Bragunier (Pilot), Walter Byron (Guard), Gordon B. Clarke (German Officer), Hans Conried (Vienna Tailor's Fitter), Alexis Davidoff (Traveler in Warsaw), Boyd Davis (Chamberlain)
  • Country: USA
  • Language: English / French / German / Hebrew
  • Support: Black and White
  • Runtime: 117 min

The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright