Murder Most Foul (1964) Directed by George Pollock
Comedy / Crime / Drama / Mystery
Film Review
In her fourth turn as the irrepressible amateur sleuth Miss Marple,
Margaret Rutherford still has what it takes to enliven a humdrum murder
mystery, despite being now comfortably into her eight decade.
Here she appears alongside another great British character actor, Ron
Moody, who would find fame as Fagin in the stage and film versions of
the Lionel Bart musical Oliver!
Loosely based on Agatha Christie's novel Mrs McGinty's Dead, Murder Most Foul is probably not
the best entry in the series, but Rutherford's bravura performance
makes it an enjoyable divertissement, which is marred only by Terry
Scott's Carry On-style
British bobby.
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Film Synopsis
When Mrs McGinty, a barmaid in a small English village, is found
hanged, a neighbour kneeling beside her body is the obvious
culprit. But Miss Marple is not so sure. A juror at the
murder trial, she is unable to deliver a guilty verdict against the
accused man and so begins her own investigation. When she
learns that the dead woman was formerly involved with a theatrical
company, the Gosgood players, the enterprising Miss Marple decides it
is time for her to tread the boards. But no sooner has she been
accepted into the company than another murder takes place...
Script: David Pursall, Jack Seddon, Agatha Christie (novel)
Cinematographer: Desmond Dickinson
Music: Ron Goodwin
Cast:Margaret Rutherford (Miss Jane Marple),
Ron Moody (H. Driffold Cosgood),
Charles 'Bud' Tingwell (Inspector Craddock),
Andrew Cruickshank (Justice Crosby),
Megs Jenkins (Mrs. Gladys Thomas),
Ralph Michael (Ralph Summers),
James Bolam (Bill Hanson),
Stringer Davis (Jim Stringer),
Francesca Annis (Sheila Upward),
Pauline Jameson (Maureen Summers),
Annette Kerr (Dorothy),
Alison Seebohm (Eva McGonigall),
Windsor Davies (Sergeant Brick),
Neil Stacy (Arthur),
Maurice Good (George Rowton),
Stella Tanner (Mrs. Florrie Harris),
Dennis Price (Harris Tumbrill),
Terry Scott (Police Constable Wells)
Country: UK
Language: English
Support: Black and White
Runtime: 90 min
The very best of the French New Wave
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.