Mercredi, folle journée! (2001)
Directed by Pascal Thomas

Comedy / Drama
aka: Day Off

Film Review

Abstract picture representing Mercredi, folle journee! (2001)
Mercredi folle journée is a characteristically sunny comedy-drama from director Pascal Thomas, in which a large cast of promising child actors manage to out-do the adult cast in both number and screen presence.   The film involves numerous amusing stories weaving around the central narrative of a divorced father and his daughter.  Each of these intertwining strands contrasts the behaviours of children and adults and ends up almost convincing us than children would be better off running the world than grown-ups.

Although the film feels too busy in places, with just too many characters and situations to keep up with, its charms are ultimately overwhelming.  The way in which both adults and children are portrayed is touching in both its realism and simplicity - indeed the style of the film is very probably how a young child would view the world.  There is also plenty of first-rate comedy - not the excessive burlesque comedy of traditional French comedies or the sophisticated wit of a satire, but a gentle comedy which arises naturally from the little absurdities of adult life.

In a film in which there are so many characters, all so magnificently brought to life, it would seem unfair to single out one actor for special attention.   However, the angelic Victoria Lafaurie (Pascal Thomas' daughter, one of the many talented child actors in the film) certainly deserves a mention, for her sensitive and entertaining portrayal of an adept adultminder.
© James Travers 2002
The above content is owned by frenchfilms.org and must not be copied.
Next Pascal Thomas film:
Mon petit doigt m'a dit... (2005)

Film Synopsis

A typical Wednesday in the busy French harbour town of Nantes.  Whilst children enjoy their day off school, the adults carry on with their frantic and increasingly stressful lives.   One such adult is Martin, a compulsive gambler who has agreed with his ex-wife to spend the day with his young daughter, Victoria.   Having convinced his ex-wife that he is the last person to take charge of an infant, Martin takes Victoria home to meet his mistress, Sophie.  Unfortunately for Martin, Sophie has just decided to end their relationship.  Homeless and tired, Martin then realises he has to attend a court hearing for non-payment of maintenance money to his first wife.  As things get increasingly fraught for Martin, it is Sophie who ends up keeping her father out of trouble...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Pascal Thomas
  • Script: François Caviglioli, Nathalie Lafaurie, Pascal Thomas
  • Cinematographer: Christophe Beaucarne
  • Music: Marine Rosier
  • Cast: Vincent Lindon (Martin Socoa), Isabelle Candelier (Vitalie Rambaud), Isabelle Carré (Antonella Lorca), Olivier Gourmet (Denis Pelloutier), Alessandra Martines (Madame Socoa), Hervé Pierre (L'avocat de Socoa), Luis Rego (Mercier), Maurice Risch (Grogneau), Clément Thomas (Le commissaire adjoint), André Thorent (Le directeur de l'agence), Armelle (Marie-Thérèse), Albert Dray (Dédé), Anne Le Ny (Marie Pelloutier), Christian Morin (Agenore Esposito), Roger Trapp (Grand-Pré), Victoria Lafaurie (Victoria), Catherine Frot (Sophie), Kelly Acoca (Mathilde), Clara Navarro (Marylin), Nathalie Lafaurie (Maryvonne)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 127 min
  • Aka: Day Off ; Wacky Wednesday

The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright