In 1982, Manoel de Oliveira secretly made a film which he insisted would
not be seen until after his death. At the time he was 73 years old
and had already directed six full-length films. He was not to know
that he would live another 33 years and make another thirty films.
Dedicated to his wife, Marie Isabel, his 'film testament' was inspired by
the work of the great Portuguese writer Agustina Bessa-Luis and was filmed
in the house that Oliveira lived in for forty years. It is an unapologetically
autobiographical piece that reflects its author's attitude towards cinema
and family - the two things that mattered most in his life...
Script: Agustina Bessa-Luís (dialogue),
Manoel de Oliveira
Photo: Elso Roque
Cast:Manoel de Oliveira (Himself),
Maria Isabel de Oliveira (Herself),
Teresa Madruga (Narrator),
Urbano Tavares Rodrigues (Himself),
Diogo Dória
Country: Portugal
Language: Portuguese
Support: Color
Runtime: 73 min
Aka:Visita ou Memórias e Confissões
The very best French thrillers
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.