Love Me or Leave Me (1955)
Directed by Charles Vidor

Biography / Drama / Musical / Romance

Film Review

Abstract picture representing Love Me or Leave Me (1955)
One of the finest and most popular musical biopics to come out of Hollywood, Love Me or Leave Me stands out from the rest because it doesn't gloss over the more sordid aspects of the protagonist's life but instead paints a  grimly honest picture of how its subject achieved stardom.  Amidst the usual MGM froth and jaunty musical numbers there is a no-nonsense love story with a keen edge to it, which is all the more emotionally stirring because it is faultlessly played by two of Hollywood's finest, James Cagney and Doris Day.  Charles Vidor directs the film with his customary aplomb, not wasting a cent of his lavish budget in his attempt to deliver one of cinema's most authentic and vibrant recreations of the Jazz Age.

Love Me or Leave Me was just one of James Cagney's many late comebacks and he is superbly cast as Etting's overly possessive first husband, combining the rough gangster persona of his early years with the tragic vulnerability of a self-sufficient man who is incapable of showing his emotions.  It was Cagney who pushed for Doris Day to take the lead role when other actresses (including Ava Gardner) had set their sights on it.  Cagney's instincts proved to be right - no one could have injected more life and poignancy into this film than Day.  The on-screen chemistry between Cagney and Day is electrifying, so intense and so unpredictable that you feel anything is possible.  With such a winning duo and hit songs like I'll Never Stop Loving You and Ten Cents a Dance, what's there not to like?  This is a classic, in every sense of the word.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

In 1920s Chicago, Ruth Etting scrapes a living by dancing with patrons at an exclusive nightclub.  When she loses her job, racketeer Marty Snyder takes her under his wing and offers her an opportunity to achieve her ambition to become a singer.  Although suspicious of Marty's motives, Ruth plays along and in no time is a singing sensation, drawing the crowds on Broadway and looking forward to a career in the movies.  But when payback day comes Ruth has no choice but to marry the man who made her a star, even though she has lost her heart to songwriter Johnny Alderman.  Marty's attempts to control Ruth's career soon bring the couple to the brink of disaster...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Charles Vidor
  • Script: Daniel Fuchs, Isobel Lennart
  • Cinematographer: Arthur E. Arling
  • Cast: Doris Day (Ruth Etting), James Cagney (Martin Snyder), Cameron Mitchell (Johnny Alderman), Robert Keith (Bernard V. Loomis), Tom Tully (Frobisher), Harry Bellaver (Georgie), Richard Gaines (Paul Hunter), Peter Leeds (Fred Taylor), Claude Stroud (Eddie Fulton), Audrey Young (Jingle Girl), John Harding (Greg Trent), Dorothy Abbott (Dancer), Jay Adler (Orry), John Alban (Reporter), Mal Alberts (Reporter), Georgia Bitner (Chorus Girl), Veda Ann Borg (Dance Hall Hostess), Chet Brandenburg (Chauffeur), Benny Burt (Stage Manager), Claire Carleton (Claire)
  • Country: USA
  • Language: English
  • Support: Color
  • Runtime: 122 min

The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright