Les Rois du gag (1985)
Directed by Claude Zidi

Comedy

Film Review

Abstract picture representing Les Rois du gag (1985)
Claude Zidi's attempt to satirise the art of gag writing doesn't quite hit the mark but there are plenty of decent laughs to be had along the way.  It's a pity that the storyline is such a rambling mess because the central premise of the film is a good one - an exploration of how gag writers and performers can become obsessed in their art.  Admittedly not all of the jokes work, but there's great pleasure to be had in watching the comic antics of Gérard Jugnot, Thierry Lhermitte and Coluche.  It is ultimately Michel Serrault who steals the show, with a brilliant (and thoroughly evil) parody-impression of the great Orson Welles.
© James Travers 2007
The above content is owned by frenchfilms.org and must not be copied.
Next Claude Zidi film:
Association de malfaiteurs (1987)

Film Synopsis

There was a time, not so long ago, when Gaétan was the funniest comedian on television.  But lately his popularity has taken a noticeable nosedive.  This does not surprise his wife Jacqueline, who keeps nagging him to give up comedy and begin a more respectable career as a straight actor.   Fearing that his decline may be irreversible, Gaétan dismisses his veteran gag writers, Robert and Jean, confident that their brand of humour is distinctly dépassé.  Encouraged by his secretary René, the comedian sets out to find a new writing team in the hope that this will bolster his popularity.  He finds what he is looking for whilst attending a show at a small theatre in the suburbs.

It is not the star of the show that interests him but an unknown comedy duo, Paul and François, whose modern brand of comedy so appeals to Gaétan that he signs them up straight away to work for him as gagmen.  Sure enough, with better material, Gaétan's popularity sky-rockets, and as it does so the comedian attracts the attention of the well-known filmmaker Robert Wellson, who is in Paris to make his latest film.  Impressed by Gaétan's obvious talents, Wellson offers him the leading role in the film and the comedian accepts, to the delight of his wife.  Alas, this new opportunity turns out to be a total disaster for both the director and his lead actor, who fail to hit it off.  This bad experience merely convinces Gaétan that he should stick to what he does best...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Claude Zidi
  • Script: Michel Fabre, Didier Kaminka, Claude Zidi
  • Cinematographer: Jean-Jacques Tarbès
  • Music: Vladimir Cosma
  • Cast: Michel Serrault (Gaëtan), Gérard Jugnot (Paul Martin), Thierry Lhermitte (François Leroux), Macha Méril (Jacqueline), Mathilda May (Alexandra), Didier Kaminka (René), Coluche (Georges), Maurice Baquet (Robert), Pierre Doris (Jean), Daniel Laloux (Le directeur du théâtre), Georges Beller (Le réalisateur TV), Bernard Bijaoui (Le patron taverne jamaïcaine), Muriel Dubrule (La dernière femme), Carole Jacquinot (Catherine), Pierre Tchernia (Le présentateur des Césars), Olivier Achard (Un assistant de Wellson), Gilette Aho (Une speakerine), Philippe De Brugada (Le garçon de restaurant), François Dyrek (L'épicier), Robert Le Béal (Le client de l'épicerie)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 98 min

The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright