Les Gosses mènent l'enquête (1947)
Directed by Maurice Labro

Crime / Drama / Thriller

Film Review

Abstract picture representing Les Gosses menent l'enquete (1947)
A murky crime drama set in a boys' prison-like boarding school, Les Gosses mènent l'enquête can hardly escape looking like a crude imitation of Christian-Jaque's Les Disparus de Saint-Agil, and whilst it is a handsomely directed piece it is badly let down by a second rate script which fails to live up to its initial promise.  Adapted from Francis Didelot's novel Caïman, the film is essentially a classic whodunit, eerily presented as a grimly oppressive film noir thriller, of the kind where you'd expect Humphrey Bogart to show up at any moment.  Unfortunately, Bogart fails to materialise and instead the murder is investigated by a cocky and fairly characterless youngster played by François Patrice.

The film's title proves to be a complete misnomer as Patrice was 23 at the time and looks it, not the 17-year-old he is supposed to be.  The other 'gosses' only put in a token appearance at the end of the film and play next to no part in the proceedings.  (That one of the kids gets himself hanged, almost without comment, is the most shocking aspect of the film.)   Les Gosses mènent l'enquête is an easy film to flaw - the plot is hackneyed, the characterisation next to non-existent - but Maurice Labro directs it with total commitment and flair, giving it the quality and atmosphere of a superior American film noir.  Labro wasted too much of his career on facile crowdpleasers such as the Fernandel comedy Boniface Somnambule (1951), whereas his real talent lay in moody dramas such as this, evidenced by his subsequent thriller Le Fauve est lâché (1959).
© James Travers 2015
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

During Easter, a handful of boarders who have no homes to go to must remain at their school, François 1er, for the duration of the holidays.  One night, one of the boarders, 17-year-old Dominique Lekain, has the shock of his life when he sees the school supervisor hanged in the yard.  Is it suicide or murder?  Convinced it is the latter, Dominique immediately begins his own investigation, and when the dead man's share certificates go missing a motive for murder becomes apparent.  Then the killer strikes a second time.  Will Dominique be victim number three...?
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Maurice Labro
  • Script: Francis Didelot (novel), Maurice Labro, Yvan Noé (dialogue)
  • Cinematographer: Pierre Petit
  • Music: Claude Arrieu, Yves Baudrier
  • Cast: Constant Rémy (Deberny), Lise Topart (Mariette), René Génin (Belleu), François Patrice (Dominique Lekain), Lucas Gridoux (Le commissaire), René Blancard (Morgain), Pierre Labry (Fiellat), Léonce Corne (Un professeur), Max Dalban (Le médecin), Henri Valbel (Crauqual), Luce Fabiole (La marraine), Georges Hubert (Lieusaint), Jacques Sommet (Le pion), Charles Vissière (Samson), François Loiselet (Un élève), José Artur (Buxeuil), Roland Moreau (Un élève), Robert Moor (Un professeur), Claire Gérard (Mme Lieusaint), Dany Bill (Maledieu)
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 80 min

The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright