Les Caprices d'un fleuve (1996)
Directed by Bernard Giraudeau

History / Drama
aka: Unpredictable Nature of the River

Film Review

Abstract picture representing Les Caprices d'un fleuve (1996)
Acclaimed French actor Bernard Giraudeau followed his promising directorial debut (L'Autre ) with this lavish period piece, filmed largely on location in Africa.  The sumptuous cinematography just about makes up for the film's languid pace, although the threadbare narrative and weak characterisation do make the film feel painfully long and empty.  Despite its faults, the film allows Giraudeau, a man noted for his humanism, to make some worthwhile statements about the human condition.  Characteristically, the film's rather poignant ending offers a gentle plea for multi-racial co-existence.
© James Travers 2004
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

In 1786, Jean-François de la Plaine, a friend of King Louis XVI of France, kills a man in a duel.  By way of punishment, he is sent into exile and made governor of a small French trading post in West Africa, Port Saint-Louis.  Jean-François resents his exile at first, but he soon comes to develop an intense liking for his new home.  However, the natural splendour of the region is totally at odds with the corruption that is rife here.  Through his dutiful subordinates, Blanet and Combaud, La Plaine learns that slave trading and smuggling are endemic, but he is powerless to prevent these.  In the course of a visit to a local king, he is made a gift of a young slave girl named Amélie. 

To the consternation of his entourage, Jean-François chooses to bring up the slave girl as if she were his own daughter.  Unable to adapt to her new life, Amélie runs away.  Ignoring Blanet's well-meaning advice, Jean-François goes after her, realising how much his young protégée now means to him.  Within a few years, France is caught up in the turmoil of the Revolution, but the slave trade continues as before.  Amélie is by this time a grown woman and is pregnant with her benefactor's child.  Relieved of his duties by the Republicans forces, La Plaine must return to France, leaving behind him the young woman who is dearer to him than anyone in the world.  When he returns to the region some years later, he is shocked to discover that his beloved Amélie died whilst giving birth to his son...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Bernard Giraudeau
  • Script: Bernard Giraudeau
  • Cinematographer: Jean-Marie Dreujou
  • Music: René-Marc Bini
  • Cast: Bernard Giraudeau (Jean-François de La Plaine), Richard Bohringer (Le commandant de Blanet), Thierry Frémont (Pierre Combaud), Roland Blanche (Monsieur Denis), Raoul Billerey (L'abbé Fleuriau), Aissatou Sow (Amélie), France Zobda (Anne Brisseau), Olivier Achard (Monsieur de Kermadec), Vincent de Bouard (Le Chevalier de Marcera), Frédéric Lorber (Le chirurgien major), Christian Rauth (Le capitaine français), Smaïl Mekki (Le maître des langues), Moussa Touré (Hannibal), Denis Laustriat (La voix du fils), Anna Galiena (Louise de Saint-Agnan), Pierre Arditi (Henri de Breuil), Jean-Claude Brialy (Monsieur de Saint-Chamont), Marie Dubois (La vieille duchesse), Lambert Wilson (Monsieur de la Malène), Sophie Artur (Eléonore)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 111 min
  • Aka: Unpredictable Nature of the River

The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright