Not a great film, admittedly, but Le
Pion isn't without a certain charm, thanks to its sympathetic
cast and plethora of imaginative visual gags. The film is a
gentle satire on state education and the world of contemporary
literature, both of which appear to be tainted by snobbery, malice and
petty self-interest. It is unevenly paced and at times lacking in
focus, but Henri Guybet turns in an engaging performance
and the presence of such likeable stars as Claude Jade and
Claude Piéplu amply makes up for the film's obvious shortcomings.
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Film Synopsis
Bertrand Barabi has serious aspirations of becoming a successful author but,
whilst he devotes all of his free time to writing, he lacks the confidence
to complete his first novel and find a publisher. Presently, he is
employed as an assistant teacher at a provincial school. It is a job
he has mixed feelings about. Both the pupils and his colleagues give
him a hard time, and his unorthodox teaching methods are judged inadequate
by his superiors. Even though he feels overloaded with work, Bertrand
agrees to provide piano lessons to the undisciplined son, Michel, of his
neighbour, Dominique Benech. The latter has a secret crush on Bertrand
and encourages him in his literary career.
When a school inspection is due, Michel forewarns his classmates to behave
to prevent Bertrand from being dismissed. His job now secure, Bertrand
continues his writing and finally summons up the courage to submit his first
complete novel to a Parisian publisher. To his surprise, the book is
accepted and becomes an instant hit. Bertrand does not allow this success
to go to his head, however. He sticks to his day job and discovers
in Dominique the ideal partner...
Cast: Henri Guybet (Bertrand Barabi dit Bergerac),
Claude Jade (Dominique Benech),
Maureen Kerwin (Mlle Thuillier),
Claude Piéplu (Le censeur),
Michel Galabru (L'inspecteur d'Académie),
Claude Dauphin (Albert Carraud),
Mathieu Vermesh (Michel Benech),
Stéphane Lievain (Robert Laugier),
Bernard Musson (Boussignac),
Denise Glaser (La présentatrice TV),
Roland Giraud (Le ministre),
Gaston Abougit (Un pion),
Jean-Pierre Laruche,
Christophe Guybet,
Raymond Colom,
Roger Perrinoz,
Frederic Cohen,
Dominique Vallée,
Delphine Berroyer,
François Giraud
Country: France
Language: French
Support: Color
Runtime: 90 min
Aka:The Pawn
The best of American film noir
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.