Le Chien jaune (1932)
Directed by Jean Tarride

Crime / Thriller
aka: The Yellow Dog

Film Review

Abstract picture representing Le Chien jaune (1932)
Two other Maigret films were made in the same year, each with different actors playing the role of the pipe-smoking sleuth.  Shortly, after Le Chien jaune, Pierre Renoir took the part of Maigret in Jean Renoir's La Nuit carrefour (1932).  Then, in Julien Duvivier's La Tête d'un homme (1933), the sublime Harry Baur showed his well-meaning predecessors how the part of Maigret should have been played.  Since then, the great detective has been portrayed by well over a dozen actors in numerous film and television adaptations.
© James Travers 2003
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Superintendent Maigret finds himself in the Breton fishing port of Concarneau, here to investigate the murder of Mostaguen, a wine dealer who was shot dead one evening on leaving a hostelry.  Assisted in his enquiries by a young and enthusiastic Inspector Leroy, who favours a more scientific approach to his colleague's reliance on intuition, Maigret takes up residence in the Hôtel de l'Amiral.  A popular haunt for the town's bigwigs, the hotel is presently occupied by a journalist named Servières, the foreign trade adviser Le Pommeret and Dr Michoux, who is presently occupied selling some land in the area.  When he is not staying at his secluded villa beside the sea, Michoux visits the hotel to be spend his evenings in the company of an attractive waitress named Emma. 

The local community is as baffled by Mostaguen's seemingly senseless killing as Maigret is, and the climate of fear intensifies when Le Pommeret is poisoned, not long after Servières suddenly goes missing. On both occasions a strange yellow-coated dog was observed in the vicinity, an omen of doom.  Suspecting that Dr Michoux is likely to be the killer's next target, Maigret arranges for him to be taken into police custody.  The mystery begins to unravel when the superintendent discovers a letter in Emma's hand, dictated to her by Michoux.  This sheds light on an illicit smuggling operation in which several patrons of the hotel are somehow implicated.  Now that the crafty culprit has been revealed to him, Maigret is finally in a position to move against him...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jean Tarride
  • Script: Georges Simenon (novel)
  • Cast: Abel Tarride (Commissaire Jules Maigret), Rosine Deréan (Emma), Rolla Norman (Léon), Robert Le Vigan (Le docteur Ernest Michoux), Jacques Henley (Le Pommeret), Anthony Gildès (Le pharmacien), Robert Lepers (L'inspecteur), Jean Gobet (Le voyageur de commerce), Paul Azaïs (Le marin), Paul Clerget (Le maire), Fred Marche (Servières), Jane Loury (L'hôtelière), Georges Berger (Petit rôle), Germaine Esler (Petit rôle), Jacques Guérin (Petit rôle), J.K. Raymond Millet (Petit rôle), Ougier (Petit rôle), Perrin (Petit rôle), Léon Pollos (Mostaguen), Schleiffer (Petit rôle)
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 88 min
  • Aka: The Yellow Dog

The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright