Gérard Jugnot's engaging performance brings a genuine human dimension to what would
otherwise have been a pretty routine heist movie. Jugnot is perhaps better known
for his ebullient comic performances, in such films as Le Père noel est une ordure (1982),
but films like Le Beauf show that he is also
very capable as a straight actor, bringing great pathos and humanity to his portrayals
of down-trodden "little men". Yves Amoureux's confident direction makes Le
Beauf an appealing crime drama, in which the suspense elements are nicely counter-pointed
by some wry comic touches.
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Gilbert has settled into a humdrum life. To support his family, he works for a bank
where his sole task is to operating a machine which incinerates banknotes. One evening,
an old friend, Serge, turns up on his doorstep. In their youth, Gilbert and
Serge belonged to a rock band and their friendship is as keen as ever. Gilbert willingly
agrees to accompany Serge to a hotel with a suitcase filled with banknotes, believing
his friend is involved in some legitimate business deal. When, through his neglect,
the suitcase is stolen, Gilbert is forced into agreeing to help Serge in a scheme to rob
the bank where he works. Gilbert soon realises he is being duped. An opportunity
to take revenge proves to be too irresistible...
Cast:Gérard Jugnot (Gilbert),
Gérard Darmon (Serge),
Marianne Basler (Gisèle),
Zabou Breitman (Maryline),
Didier Sauvegrain (Marc),
Jean-Pol Dubois (Le chef de Gilbert),
Alain Bashung (Himself),
Boris Bergman (Rocky),
Micha Bayard (L'épicière),
Aïcha Diallo (Une choriste),
Ziaou Kouyaté (Une choriste),
Didier Batard (Un musicien),
Michel Billes (Un musicien),
François Causse (Un musicien),
Vic Emerson (Un musicien),
Olivier Guindon (Un musicien),
Richard Mortier (Un musicien),
Samuel Le Bihan (Agent de maintenance),
Roland Bocquet,
Christian Charmetant
Country: France
Language: French
Support: Color (Eastmancolor)
Runtime: 102 min
The greatest French film directors
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.