La France (2007)
Directed by Serge Bozon

War / Drama

Film Review

Abstract picture representing La France (2007)
One of the most depressing trends in French cinema recently is the one where relatively inexperienced film directors attempt to combine genres which are manifestly incompatible, thereby arousing a level of interest which is seldom merited.  La France is a sublime example of this - an eccentric synthesis of traditional wartime drama with musical comedy which is, depending on your tastes, either totally inspired or totally insane.

Not surprisingly, the film has divided critics into two opposing camps - those who love it and those who hate it.  It is most definitely not a film that will appeal to everyone, and it is certainly a film that many down-to-earth cinemagoers will find hard to take seriously.  The problem with La France is not that it combines two very different genres.  The problem is the jarring mismatch between the film's WWI setting and the choice of songs, which have absolutely nothing to do with the period in which the story takes place and totally undermine the drama.

Between the increasingly irksome bursts of song all the film has to offer are long, plodding intervals of uninspired narrative in which no cliché is overlooked and no real attempt is made, by either the script writers or actors, to give us characters that are in any way convincing or interesting.  The only element of the film that is beyond criticism is its stunning cinematography, which successfully evokes the era and experiences of ordinary WWI soldiers, bringing a moody, poetic sense which the rest of the film sorely lacks.

Imagine a version of Lewis Milestone's All Quiet on the Western Front in which the ill-fated soldiers in the trenches periodically break into renditions of Abba's greatest hits and you will have some idea how mad and ill-conceived this film is.   Some critics may praise director Serge Bozon's daring and make this out to be the most exciting development in French cinema since the New Wave, but most viewers will recognise the film for what it is: a rather silly stunt.
© James Travers 2008
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

In the autumn of 1917, Camille is anxious for news of her husband, who is away fighting in a seemingly interminable war.  Then, one day, she receives a short letter from her husband in which he calls an abrupt end to their marriage, without any explanation.  Bewildered, Camille sets off in search of her husband.  Disguised as a boy, she joins a battalion of French soldiers who are heading for the front...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Serge Bozon
  • Script: Serge Bozon, Axelle Ropert
  • Cinematographer: Céline Bozon
  • Music: Benjamin Esdraffo, Laurent Talon, Mehdi Zannad
  • Cast: Sylvie Testud (Camille), Pascal Greggory (Le lieutenant), Guillaume Verdier (Le cadet), François Négret (Jacques), Laurent Talon (Antoine), Pierre Léon (Alfred), Benjamin Esdraffo (Pierre), Didier Brice (Jean), Laurent Lacotte (Frédéric), Bob Boisadan (Le guitariste), Lionel Turchi (Le violoniste), Laurent Valéro (Le bandonéoniste), Michel Fossiez (Le hautboïste), Jean-Christophe Bouvet (Elias), Emmanuel Levaufre (Le fils d'Elias), Cécile Reigher (Le soeur de Camille), Philippe Chemin (L'agent de liaison), Mehdi Zannad (La sentinelle), Vincent Fraiscinet (Le gendarme), Pascale Bodet (La fille de la colline)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 102 min

The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright