La Dérobade (1979)
Directed by Daniel Duval

Drama
aka: Memoirs of a French Whore

Film Review

Abstract picture representing La Derobade (1979)
The subject of Daniel Duval's film La Dérobade is certainly one which is worthy of exploring in a full-length film, to remind us of a sickening malaise of contemporary society, where women are forced into a hellish life of prostitution and dependency on dangerous pimps.  Such a film would have been welcomed by the critics and might even galvanise action against such unspeakable practices.

Unfortunately, the subject is so sickening in itself that it naturally invites a voyeuristic treatment.  This is the trap that director Daniel Duval appears to have fallen into, willingly or otherwise, and the result is far from satisfactory.

This is voyeurism with a capital V. A dangerous combination of erotica and graphic violence, this film is not just distasteful and shocking, it is plainly bad cinema, having the feel of a tacky porn video churned out by an unscrupulous porn peddler.  This feeling is reinforced by the fact that Duval himself plays the violent pimp who is one of the film's lead characters, making the director open to the charge of complicity in his film's subject.

The film does have some good points, most notably a strong acting performance from Miou-Miou, a part for which the actress won a César.  However, such strong production values are undermined when the audience is subjected to a constant series of scenes involving excessive exploitative nudity and sickening physical violence.  Far from condemning the world in which prostitutes are maltreated by their male predators, the film seems to exonerate it with an unsavoury, sadistic relish.
© James Travers 2000
The above content is owned by frenchfilms.org and must not be copied.
Next Daniel Duval film:
Le Temps des porte-plumes (2006)

Film Synopsis

Marie is trapped in a nightmarish life from which she cannot escape.  Her boyfriend bullies her and forces her to work for him as a prostitute.  When she tries to go her own way, without the protection afforded by her boyfriend and his entourage  of underworld thugs, Marie runs into even greater danger and yet more violence...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Daniel Duval
  • Script: Jeanne Cordelier, Daniel Duval, Christopher Frank
  • Cinematographer: Michel Cénet
  • Music: Vladimir Cosma
  • Cast: Miou-Miou (Marie), Maria Schneider (Maloup), Niels Arestrup (André), Jean Benguigui (Jean-Jean), Martine Ferrière (Madame Pedro), Daniel Duval (Gérard aka "Gégé"), Brigitte Ariel (Odette), Marie Pillet (Lulu), Régis Porte (François), Isabelle Mergault (Une prostituée), Michel Berto, Yvon Brexel, Bernard Cazassus, Henry Djanik, Jacques Doniol-Valcroze, Albert Dray, Jean-Claude Dreyfus, Guy Kerner, Max Morel, Marc Adjadj
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 120 min
  • Aka: Memoirs of a French Whore

The greatest French Films of all time
sb-img-4
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright