L'Arte di arrangiarsi (1954) Directed by Luigi Zampa
Comedy
aka: The Art of Getting Along
Film Review
L'Arte di arrangiarsi (a.k.a. The Art of Getting Along) is one of
a series of light satirical comedies directed by Luigi Zampa in the
1950s which delights in poking fun at Italian society through the prism
of its turbulent recent history. Zampa may not have been the most
effective of satirists - his films lack the bitter mordancy of other
Italian film directors such as Dino Risi, Pietro Germi and the great
Fellini - but his films were popular and often outrageously
funny. L'Arte di arrangiarsi
is one of Zampa's most ambitious films, as it takes in half a century
of Italian history in its gentle mockery of the shameless opportunism
that a stratum of Italian society indulged in, changing political
affiliations as easily as the wind changes direction. Zampa's
reluctance to overstep the mark and cause offence robs the film of real
impact and makes it a somewhat anaemic piece, although a robust lead
performance from Alberto Sordi and some amusing set-pieces (such as the
scene in which the hero attempts to bribe an extremely myopic engineer)
makes it an enjoyable diversion.
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
In 1912, Rosario Scimoni lives in Catania, Sicily, an ambitious young
man who will do anything to gets his hands on the two things he values
most in life: women and money. Tired of working for nothing for
his uncle, the town's mayor, he becomes a socialist so that he can be
close to the woman he loves, Paola. Alas, even when he has
succeeded in getting Paola's partner arrested, Rosario fails in his
suit and instead turns his attention to an ugly heiress whom he hastily
marries, just as Italy is taken over by the Fascists. It suits
Rosario to become a Fascist, but after the war he makes a rapid
conversion to Communism. He switches his political allegiance
again when the Christian Democrats win the 1948 national election and
embarks on a new career as a film director, hoping to win the favour of
an aspiring young actress. To finance the film, Rosario becomes
implicated in a shady real estate deal and ends up in prison.
Even this sad turn of events doesn't dampen his enthusiasm for
life...
Cast: Alberto Sordi (Rosario 'Sasà' Scimoni),
Marco Guglielmi (L'avvocato Giardini),
Franco Coop (Il sindaco di Catania),
Luisa Della Noce (Paola Toscano),
Franco Jamonte (Luigi 'Pizzaro'),
Elena Gini (Mariuccia Giardini),
Elli Parvo (Emma),
Armenia Balducci (Lilli Di Angelis),
Carlo Sposito (Il duca di Lanocita),
Giovanni Di Benedetto (Onorevole Toscano),
Antonio Acqua (L'ingegner Raoul Casamattola),
Gino Buzzanca (Il barone Mazzei),
Fernando Cerulli (Borrella),
Giacomo Furia (Maggiordomo di Sasà),
Branko Bokun (Ducca d'Aosta),
Luciano Bonanni (Un pazzo),
Gustavo Giorgi (Funzionario di polizia),
Turi Pandolfini (Prisoner),
Gino Baghetti,
Victor Ledda
Country: Italy
Language: Italian
Support: Black and White
Runtime: 95 min
Aka:The Art of Getting Along
The greatest French film directors
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.