L'Africain (1983)
Directed by Philippe de Broca

Adventure / Comedy

Film Review

Abstract picture representing L'Africain (1983)
This well-paced adventure-comedy from Philippe de Broca takes an ironic swipe at colonialism and conservatism whilst offering a satisfying parody of the Hollywood African adventure sub-genre.  As is typical in Broca's films (particularly the better ones), the comedy is skilfully restrained for the most part but with some occasional bursts of outlandish farce.  The film has an exotic location whose cinematic potential is exploited to the full - another characteristic of De Broca's distinctive brand of cinema.  Whilst individually Philippe Noiret and Catherine Deneuve work well in the film it is hard to believe their two characters could ever have been man and wife.   Noiret's ebullient performance is nevertheless a treat, combining wicked self-mockery and touching pathos.  Overall, an enjoyable film which is all the more amusing for its camp, tongue-in-cheek characterisation and rampant political incorrectness.
© James Travers 2004
The above content is owned by frenchfilms.org and must not be copied.
Next Philippe de Broca film:
La Gitane (1986)

Film Synopsis

Victor has turned his back on the turmoil of modern life in the city and now leads a contented existence in the unspoiled heart of Africa.  A conservation worker, dedicated to the preservation of the flora and fauna in his area, he runs errands for the locals and manages a small grocer's store with his black partner, Joséphine.  Victor's tranquil life is put in jeopardy by the unwished-for arrival of his ex-wife Charlotte and her latest beau, Planchet.  It seems that the latter have ambitions to construct a holiday village in the area.  The purpose of their visit it to make a reconnaissance of the area and test the feasibility of their plan.  Victor is naturally aghast when he hears of this, realising the devastating impact that the proposed holiday camp will have on the local environment.

After Victor refuses point-blank to accompany her on an expedition of the region, Charlotte recruits as her guide another man, Poulakis, not knowing that he is a notorious ivory trafficker.  Poulakis is even less keen than Victor to see Charlotte's plans come to fruition, so he intends abandoning her and her partner in the middle of nowhere and let nature takes its course.  It is Victor who comes to his ex-wife's aid whilst pursuing Poulakis, whose activities are decimating the elephant population.  Although Victor manages to rescue Charlotte, Planchet is taken hostage by the wicked trafficker...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Philippe de Broca
  • Script: Gérard Brach, Philippe de Broca
  • Cinematographer: Jean Penzer
  • Music: Georges Delerue
  • Cast: Catherine Deneuve (Charlotte), Philippe Noiret (Victor), Jean-François Balmer (Paul Planchet), Jacques François (Le docteur Patterson), Jean Benguigui (Aristote Poulakis), Joseph Momo (Bako), Vivian Reed (Joséphine), Pierre Michaël (Le P.D.G), Gordon Heath (Le ministre), Raymond Aquilon (Le commandant), Gisèle Charpentier (La matronne), Maxime Dufeu (Un cadre)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 101 min

The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright