Jean-Marc ou La vie conjugale (1963) Directed by André Cayatte
Drama
aka: Anatomy of a Marriage
Film Synopsis
This is the story of a couple in the 1960s, told in two separate films:
Jean-Marc et la vie conjugale is the
husband's point of view;
Françoise et la vie conjugale is the
wife's point of view of the same story.
Through the intervention of mutual friends, Jean-Marc and
Françoise meet at university. They slowly get to know one
another and are soon lovers. Having passed his exams, Jean-Marc
becomes a lawyer and he and Françoise have a child. They
decide to get married. At the start of his career, Jean-Marc
finds a job in a small provincial town. Françoise is
uneasy about leaving Paris but she agrees to follow her husband.
It is not long before Françoise gets bored and asks Jean-Marc to
return to the city. The strains of the relationship are beginning
to show. Will their marriage stand the test of time?
Script: Maurice Aubergé, André Cayatte, Louis Sapin (dialogue)
Cinematographer: Roger Fellous
Music: Louiguy
Cast:Jacques Charrier (Jean-Marc),
Marie-José Nat (Françoise),
Michel Subor (Roger),
Macha Méril (Nicole),
Alfred Adam (Fernand Aubry),
Giani Esposito (Ettore),
Jacques Monod (Rouquier),
Yves Vincent (Granjouan),
Blanchette Brunoy (Mme Aubry),
Jacqueline Porel (Line),
Jean-Henri Chambois (Le président),
Anne Caprile (Mme Monier),
Yvan Chiffre (Christian),
Corinne Armand (Christine),
Julien Verdier (Un portier),
Marcel Pérès (Le locataire),
Madeleine Suffel (La locataire),
Micheline Sandrel (Une speakerine),
Henri Crémieux (Rancoule),
Michel Tureau (Milou)
Country: France / Italy / West Germany
Language: French
Support: Black and White
Runtime: 112 min
Aka:Anatomy of a Marriage ;
Anatomy of a Marriage: My Days with Jean-Marc
The history of French cinema
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.