HS - hors service (2001)
Directed by Jean-Paul Lilienfeld

Comedy / Crime / Thriller

Film Review

Abstract picture representing HS - hors service (2001)
HS (Hors Service) starts out as a moderately amusing send up of Quentin Tarantino's gore-filled gangster films (unsubtle references to Reservoir Dogs (1992) and Pulp Fiction (1994) crop up in every other scene) but soon runs out of steam as the silliness of its premise and dearth of original ideas become apparent.  Black comedy is the hardest of arts to master and is not something that has traditionally appealed to either French filmmakers or French cinema audiences.  Director Jean-Paul Lilienfeld makes a valiant attempt to extract humour from the world of the hired assassin, but, too in awe of Tarantino and his ilk, he ends up turning out a film that is a fair pastiche but not particularly funny.

The appeal of HS, if it has any at all, stems entirely from the unlikely ensemble that makes up the gang of Reservoir Dogs-like killers.  Dieudonné, François Berléand, Lambert Wilson, Loránt Deutsch and Stéphan Guérin-Tillié make such a weird bunch that anything is possible, and it is the attempts by these very capable actors to play against the gangster stereotypes that provides most of the film's entertainment value.  Wilson is such a cool dude he looks as if he could freeze the Atlantic ocean with one wiggle of his eyebrows; Berléand is your everyday homicidal paranoiac; and Deutsch is a Tamagochi addict who likes to combine DIY and torture.

Even if his character is scarcely credible (a man who has a Damascene conversion after beating his wife senseless), the popular comedian Dieudonné has the most impact and could easily pass as a pukka actor in this, his first leading film role.  (Within a few years of appearing in this film, Dieudonné's popularity would take a massive nosedive when he aligned himself with extreme right wing politics, effectively putting the breaks on his busy film and television career.) After the comparative failure of HS, Jean-Paul Lilienfeld amply redeemed himself with his next film, the wonderfully off-beat La Journée de la jupe (2008).
© James Travers 2015
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Marchand is happy with his life, until the day his wife discovers he is a professional hitman and not, as he claims to be, a shoe salesman.  A violent domestic row ends with Marchand punching his wife into a coma, an act he soon bitterly regrets.  Unable to execute his next assignment, Marchand decides to turn over a new leaf, believing that by doing so his wife will come out of her coma.  Naturally, this is not to the liking of the other four members of his gang - Francis, Louis, Victor and M'sieur - who decide to terminate their association with Marchand in a suitably bloody manner...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jean-Paul Lilienfeld
  • Script: Alain Gagnol, Jean-Paul Lilienfeld
  • Cinematographer: Philippe Guilbert
  • Cast: Dieudonné (Marchand), Lambert Wilson (Francis), François Berléand (Louis), Lorànt Deutsch (M'sieur), Stéphan Guérin-Tillié (Victor), Jackie Berroyer (Ifergan), Claudia Gerini (Hélène), Catherine Mouchet (La comptable), Olivier Sitruk (L'homme au chien et à la disquette), Pascal Leguennec (Le quincailler)
  • Country: France / Belgium
  • Language: French
  • Support: Color
  • Runtime: 95 min

The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright