Holiday (1938)
Directed by George Cukor

Comedy / Drama / Romance

Film Review

Abstract picture representing Holiday (1938)
Between Bringing Up Baby (1938) and The Philadelphia Story (1940), Cary Grant and Katharine Hepburn appeared together in this less well-known comedy, adapted from a popular play by Philip Barry.  Hepburn had in fact understudied the role of Linda (the character she plays in the film) in the Broadway production.  The play had previously been adapted in 1930, directed by Edward H. Griffith and starring Ann Harding, Mary Astor and Robert Ames.  In both versions of the film, Edward Everett Horton played the amiable Nick Potter.

Barry's play was presumably intended as a send-up of the American dream, specifically that bit of it which made a great virtue of piling up stacks of wealth on Earth.  The theme may still be relevant, but today the anti-capitalist posturing looks about as subtle as a mauve hippopotamus on rollerskates.  The film's laboured moralising is made bearable by the exquisite chemistry between its two lead actors, Katharine Hepburn and Cary Grant, who rarely performed as well together as they do here.   The part of Linda Seton looks as if it was especially created for Hepburn - no one was better suited to play the part of the feisty, independently minded heroine.  Grant is pretty good too, especially when he starts doing back somersaults.  If he had failed as an actor, he would have made a respectable acrobat.

Hepburn and Grant may be the main attraction but there is also much fun to be had from the contributions of their supporting artistes. Edward Everett Horton and Jean Dixon form a superlative double act (which at one point morphs seamlessly into a Punch and Judy act), whilst Henry Daniell and Binnie Barnes make a deliciously evil upper crust couple, comedy villains who look as if they have tumbled from the pages of a novel by Dickens or Trollope.  Lew Ayres - the handsome star of Lewis Milestone's All Quiet on the Western Front (1930) - is reduced to playing a drunken socialite, but does it so brilliantly (and so tragically) that he almost steals the film.  With such a strong cast, directed with aplomb by George Cukor, Holiday is a sparkling social satire that cannot fail to delight.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.
Next George Cukor film:
Gone with the Wind (1939)

Film Synopsis

On his return to New York after a vacation, Johnny Case breaks the news to his dearest friends Nick and Susan Potter that he is about to get married to a girl he met at Lake Placid, Julia Seton.  Johnny knows nothing about his intended's family and is surprised at what he finds when he drops in on her New York residence.  Julia, he soon discovers, is the daughter of a millionaire banker and lives in one of the city's larger mansions.   Johnny immediately hits it off with Julia's unconventional sister, Linda, and her dipsomaniac brother Ned.  Julia's father is harder to please.  Having been apprised of Johnny's humble background, Seton Senior believes that Julia is marrying beneath her, but he finally relents and agrees to the marriage.  Then, just when he has won the girl he loves, Johnny drops his bombshell.  He intends to retire on the money he has earned so far and take a long holiday.  Naturally, Seton Senior is opposed to this foolhardy plan, but so, surprisingly, is Julia...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: George Cukor
  • Script: Donald Ogden Stewart, Sidney Buchman, Philip Barry (play)
  • Cinematographer: Franz Planer
  • Music: Sidney Cutner
  • Cast: Katharine Hepburn (Linda Seton), Cary Grant (Johnny Case), Doris Nolan (Julia Seton), Lew Ayres (Ned Seton), Edward Everett Horton (Professor Nick Potter), Henry Kolker (Edward Seton), Binnie Barnes (Mrs. Laura Cram), Jean Dixon (Mrs. Susan Elliott Potter), Henry Daniell (Seton Cram), Marion Ballou (Portrait of Grandmother Seton), Beatrice Blinn (Maid), Thomas Braidon (Downstairs Butler Admitting Johnny), Maurice Brierre (Ship's Steward), Leonard Carey (Party Guest), Mabel Colcord (Setons' Cook), Luke Cosgrave (Portrait of Grandfather Seton), Beatrice Curtis (Maid), Ann Doran (Kitchen Maid), Neil Fitzgerald (Edgar), Bess Flowers (Dorothy)
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 95 min

The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright