For Me and My Gal (1942)
Directed by Busby Berkeley

Drama / Musical / Romance
aka: For Me and My Girl

Film Review

Abstract picture representing For Me and My Gal (1942)
Gene Kelly's screen career got off to a flying start with this typically jaunty MGM musical, in which he is effectively partnered with another screen legend of the era, Judy Garland.  Not long before this, Kelly had found stardom on Broadway as the lead in Rodgers and Hart's musical comedy Pal Joey, which resulted in David O. Selznick offering him a contract to start appearing in movies.  As it happened, Selznick failed to find a suitable role for Kelly, and it was MGM producer Arthur Freed who gave him his big break in For Me and My Gal, a film that was based on a true story and which proved to be one of the big hits of 1942.

The film was directed by Busby Berkeley, who had distinguished himself in the previous decade by choreographing some of the most spectacular song and dance numbers to grace a Hollywood musical, notably on Gold Diggers of 1933 and 42nd Street (1933).  Whilst For Me and My Gal has none of the grand musical set pieces for which Berkeley is renowned, it is directed with his customary aplomb and includes such uplifting numbers as Oh, You Beautiful Doll and For Me and My Gal.  In common with many films made around this time, the film had a dual purpose, to support the war effort (by portraying those in the armed services as selfless heroes whilst demonising draft dodgers) and to divert the people back home with some wholesome, no-nonsense entertainment.

The film's one flaw is that it fails to redeem its central character in a convincing way.  So good is Kelly at playing the self-loving opportunist that his character's sudden transformation at the end of the film (from draft dodging skunk to Bruce Willis-style action hero) appears laughably absurd and takes the gloss off an otherwise flawless production.  Fortunately, there are enough other things to like about the film to prevent this one king-size blemish from spoiling it.  By this time, Judy Garland has blossomed into a fully fledged grown-up star, and there are few other actresses who could invest the film with as much warmth and poignancy as she does, apparently without the slightest effort.

Garland may be an accomplished actress, but it is in the toe-tapping vaudevillian musical numbers that she is most in her element, and watching her perform alongside Kelly is a treat which no fan of the classical Hollywood musical should pass up.  Garland and Kelly make such an effective combination (and apparently had such a good off-screen relationship) that you wonder why they only worked together on two further films, The Pirate (1948) and Summer Stock (1950).  For what is so patently a wartime propaganda piece, For Me and My Gal has stood the test of time remarkably well, bursting at the seams with star quality and good, old-fashioned charm.
© James Travers 2012
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

In 1916, Jo Hayden and Jimmy Metcalf scrape a living, touring American towns with their second rate vaudeville act.  Jo earns just enough to support her brother Danny as he studies to be a doctor.  Her dream of Broadway success comes one step closer when she meets Harry Palmer, an ambitious young dancer who offers her a partnership.  Realising that this is Jo's big chance, Jimmy steps aside and encourages her to sign up with Harry, but success still proves elusive for Jo.  When Jo and Harry finally land a spot at a top Broadway theatre, Harry learns he is about to be drafted into the army.  Unable to give up what may be his only shot at fame, Harry intentionally damages his right hand so that he will fail his medical examination.  When she discovers this subterfuge, Jo is sickened by Harry and refuses to have anything more to do with him.   Ashamed of himself, Harry tries to make amends, but getting into WWI is a lot harder than he imagined...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Busby Berkeley
  • Script: Howard Emmett Rogers (story), Richard Sherman, Fred F. Finklehoffe, Sid Silvers
  • Cinematographer: William H. Daniels
  • Music: Roger Edens
  • Cast: Judy Garland (Jo Hayden), George Murphy (Jimmy K. Metcalf), Gene Kelly (Harry Palmer), Mártha Eggerth (Eve Minard), Ben Blue (Sid Simms), Stephen McNally (Mr. Waring (New York Palace manager)), Ernie Alexander (Theater Workman with Big Die), Hooper Atchley (Assistant Stage Manager), Walter Baldwin (Bill), Gurney Bell (Member of the Sportsmen Quartet), Ken Darby (Member of the Kings Men Quartet), George Davis (Taxi Driver in France), Bill Days (Member of the Sportsmen Quartet), John Dilson (Lou, Theater Manager), Jon Dodson (Member of the Kings Men Quartet), Lester Dorr (Stage Manager), Ruth Dwyer (Nurse), Al Hill (Newark Palace Stagehand), Robert Homans (New York Palace Theatre Doorman), Gladden James ('Doc', New York Doctor)
  • Country: USA
  • Language: English / French
  • Support: Black and White
  • Runtime: 104 min
  • Aka: For Me and My Girl

The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright