Félix et Lola (2001)
Directed by Patrice Leconte

Drama / Romance
aka: Felix and Lola

Film Review

Abstract picture representing Felix et Lola (2001)
Patrice Leconte once more demonstrates his uncanny diversity as a filmmaker, eschewing the pretty romanticism of his earlier romantic dramas for a darker, more realistic cinematic form.  Félix et Lola is certainly more naturalistic than Leconte's earlier work, referencing the minimalist style of Robert Bresson's Mouchette (1967) and the gritty urban fairytale that is Leos Carax's Les Amants du Pont-Neuf (1991).   Although the film is well made and features some attractive, credible performances from Charlotte Gainsbourg and Philippe Torreton, it is far less satisfying than Leconte's previous forays into the romantic drama genre.  The threadbare plot and an inconclusive ending are the film's biggest failings, but it is also apparent that this kind of raw post noir realism is not Leconte's natural style.
© James Travers 2004
The above content is owned by frenchfilms.org and must not be copied.
Next Patrice Leconte film:
L'Homme du train (2002)

Film Synopsis

Félix, a dodgem car operator at a busy fairground, finds himself strangely drawn to one of his customers, an attractive young woman named Lola.  By leading Félix to believe that her mother is chronically ill Lola soon gains his sympathies and within no time he feels he is hopelessly in love with her.  Lola is soon working alongside Félix, but when she recognises a face in the crowd she suddenly runs off in fright.  The young woman encounters the same man later that evening - he works in a dancehall as a singer.  Lola returns to Félix and, feeling safe in his company, they spend the night together.

Not long afterwards, Félix notices a suspicious looking man prowling around his dodgems stand.  After her new boyfriend has been beaten up by a gang of thugs, Lola feels she must tell him her sad story.  Before she met Félix, she was in a relationship with the singer and they had a child together.  Now their son is six years old and the singer refuses to allow his mother to see him.  Lola asks Félix to prove his love for her by murdering the singer in cold blood.  Armed with a gun, Félix heads for the dancehall and appears willing to carry out his beloved's request, but before he can do so Lola forces herself to tell him the truth...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Patrice Leconte
  • Script: Claude Klotz, Patrice Leconte
  • Cinematographer: Jean-Marie Dreujou
  • Cast: Charlotte Gainsbourg (Lola), Philippe Torreton (Félix), Alain Bashung (The singer), Philippe du Janerand (The man in grey), Ahmed Guedayia (Karim), Karim Soutan (Ludo), Muriel Combeau (Arlette), Didier Cauchy (Max), Emmanuelle Bataille (Marina), Géraldine Faraoni (Margot), Charlotte Maury-Sentier (Madame Lulu), Michel Such (Frantz), René Remblier (Albert), Nadia Barentin (Madame Irzou), Jacques Vertan (Non), Michel Gondoin (Hotel manager), Pascal Perbost (Young customer), Guillaume Barbot (Teenager), Julie Durand (A friend), Yves Alion (Man at the fair)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 89 min
  • Aka: Felix and Lola ; The Fun of the Fair

The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright