Extension du domaine de la lutte (1999)
Directed by Philippe Harel

Comedy / Drama
aka: Whatever

Film Review

Abstract picture representing Extension du domaine de la lutte (1999)
Philippe Harel both directs and stars in this quintessentially French portrait of existentialist angst and bitter reflection on the meaningless of life.  Based on the novel by Michel Houellebecq, the film revolves around a bored middle-aged computer programmer, referred to, ironically, as "our hero" by the voice over.  This character spends his time drifting between melancholia and suicidal despondency whilst pondering on the mysteries of quantum mechanics, sexual-economic theory and existentialist philosophy.

It sounds heavy stuff, and indeed some of the introspective reflection and neo-Freudian philosophical ramblings are very hard to follow.  Yet, despite this, and despite the overt blackness of the subject matter, the film is surprisingly accessible and, in a perverse way, entertaining.   Harel's portrayal of a solitary man on the brink of a nervous breakdown and possibly suicide is eminently believable and lends the film a great tragic poignancy.

What makes this film so watchable and original is its caustic mix of dry comedy and sober drama.   The innumerable comic inserts (such as the answerphone message which assumes the caller has dialled the wrong number, or the brilliant line about dying in Rouen) make us laugh but, at the same time, they heighten the tragedy of our hero's plight, which, to a greater or lesser extent, reflects our own.

Philippe Harel should be commended not just on the quality of his performance in this film (probably his best to date), but also on his courage in making the film in the first place.  It is an intelligent and well-crafted work which treats an unattractive subject with great humanity and sensitivity.
© James Travers 2001
The above content is owned by frenchfilms.org and must not be copied.
Next Philippe Harel film:
Tristan (2003)

Film Synopsis

A lonely computer programmer reflects on the empty meaningless of his loveless, solitary existence.  Since his partner walked out on him two years ago, he does nothing at weekends and regards his work as a monotonous chore.  On a business trip to Rouen, he is partnered with a younger man, Raphael, who is obsessed with finding a female bed partner but has no chance of getting one.   Realising that he has no future, our hero sinks deeper and deeper into depression...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Philippe Harel
  • Script: Philippe Harel, Michel Houellebecq (novel)
  • Cinematographer: Gilles Henry
  • Cast: Philippe Bianco (La voix du narrateur), Philippe Harel (Notre Héros), José Garcia (Tisserand), Catherine Mouchet (La psychologue), Cécile Reigher (Catherine Lechardoy), Marie-Charlotte Leclaire (La secretaire d H. La Brette), Philippe Agael (Henri La Brette), Alain Guillo (Buvet), Yvan Garouel (Un représentant du Ministère), Christophe Rossignon (Bernard), Nicolas Simon (Schnabele), Philippe Staw (Le psychiatre), Jean-Luc Abel (Le mendiant du métro), Constantine Attia (Le costaud du Malibu), Michka Assayas (Le chef du service informatique), Philippe Barrier (L'acolyte du serpent), Emilie Benoît (La femme du métro), Marc Bonnel (Norbert Lejailly), Géraldine Bonnet-Guérin (La secrétaire aux talons hauts), Jean-Pierre Bourdaleix (L'employé DDA Rouen)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 120 min
  • Aka: Whatever

Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The greatest French Films of all time
sb-img-4
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright