Do Not Disturb (2012)
Directed by Yvan Attal

Comedy

Film Review

Abstract picture representing Do Not Disturb (2012)
For his third film as a director, Yvan Attal attempted a remake of Lynn Shelton's independent American film Humpday (2009), seemingly without having got the point of the original film.  Do Not Disturb flaunts itself as a provocative modern study in sexuality but it really is little more than a fairly conventional French comedy, with a few barrels of asinine vulgarity casually thrown in to make it appear racier than it really is.  Whereas Attal's previous two films, Ma femme est une actrice (2001) and Ils se marièrent et eurent beaucoup d'enfants (2004) had a point to them - both were serious, well intended attempts to explore the limits of sexuality within marriage - his latest half-baked offering is a lazy attempt to cover similar ground within the confines of lewd bargain basement comedy.

Shelton's film was not particularly inspired in the first place (what the critics saw in it I do not know) but it had at least a semblance of reality to it, whereas the French version patently does not.  Despite the gutsy efforts of its amiable cast, Do Not Disturb just doesn't come close to getting off the launch pad, and it struggles to be even remotely entertaining.  The painfully long sequence in which Attal and François Cluzet finally get round to carrying through their bet is simply embarrassing - the most tedious spectacle in French cinema so far this year.  Shallow, pretentious and cynically exploitative, this is by far Yvan Attal's worst film to date.  It's best to take heed of its title.  Some doors just do not deserve to be opened.
© James Travers 2012
The above content is owned by frenchfilms.org and must not be copied.
Next Yvan Attal film:
Ma femme est une actrice (2001)

Film Synopsis

One evening, Jeff turns up unexpectedly on his friend Ben's doorstep and cajoles him into joining him for a night on the town for old time's sake.   In the course of their conversation, the idea of an amateur porn festival is mooted.  The plan is that Jeff and Ben will sleep together on camera, not as pornography, but as art.  The following day, the two men are still keen on the idea and it seems that nothing will prevent them from carrying it out - except, perhaps, Ben's wife...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Yvan Attal
  • Script: Yvan Attal, Olivier Lécot
  • Cinematographer: Thomas Hardmeier
  • Cast: François Cluzet (Jeff), Yvan Attal (Ben Azuelos), Laetitia Casta (Anna Azuelos), Charlotte Gainsbourg (Lilly), Asia Argento (Monica), Joey Starr (Le codétenu cellule de dégrisement), Bruno Guillot (Contrôleur RATP 1), Léon Vitale (Contrôleur RATP 2), Samuel Johde (Franck)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 88 min

The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright