Delphine 1, Yvan 0 (1996)
Directed by Dominique Farrugia

Comedy / Romance

Film Review

Abstract picture representing Delphine 1, Yvan 0 (1996)
Written and directed by Dominique Farrugia, one of the comedy team Les Nuls (who had great success on the French TV channel Canal+),  Delphine 1, Yvan 0 is an original variation on the comedy-romance, portraying a rather anodyne love story as a football match. The film was inspired by the kind of reality shows which were becoming popular at the time and which have since all but taken over most network television channels - schedule-filling offal such as Big Brother in the UK and its French equivalent Loft Story.

The male lead, Yvan, is played sympathetically by the very capable Serge Hazanavicius, although his talents are largely wasted on this film, which has a tendency to satirise human relationships rather than offer a convincing portrayal. The film's lack of focus and tendency to go for cheap laughs can also be slightly irritating, needlessly weakening the central Delphine-Yvan storyline (indeed, we get to find out very little about the character Delphine).  However, in spite of that, this is a very funny film with a fair amount of laugh-out-loud jokes.  The two main characters may not be as well developed as they should have been, but we do end up having some sympathy for them - although our attention is mainly with Yvan's pal, Thierry, the likeable no-hoper who dreams only of selling inflatable snowmen to the people of Florida. Dominique Farrugia would later return to the rom-com genre with L'Amour, c'est mieux à deux (2010), a somewhat more satisfying variation on the same theme.
© James Travers 2003
The above content is owned by frenchfilms.org and must not be copied.
Next Dominique Farrugia film:
Trafic d'influence (1999)

Film Synopsis

Yvan and Delphine are a young couple who allow a television film crew to record their day-to-day experiences over a year.  Sports commentators Thierry Roland and Jean-Michel Larqué present Yvan and Delphine's story as a football match, debating the finer points of Yvan's technique and questioning whether he really has what it takes to win through.  Things get off to a bad start when the couple have a disastrous holiday in Greece.  Soon after, Yvan's manages to score, but it turns out to be a home goal: he has a one-night stand with another woman and Delphine sends him packing.  Is the game over or will Yvan, a man with hidden talents (well, he speaks fluent Japanese), find a way to equalise?
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Dominique Farrugia
  • Script: Dominique Farrugia, Michel Hazanavicius
  • Cinematographer: Pascal Gennesseaux, Catherine Georges, Nicolas Herdt, Beatrice Mizrahi
  • Music: Philippe Chany
  • Cast: Julie Gayet (Delphine Saban), Serge Hazanavicius (Yvan Krief), Alain Chabat (Pierre Krief), Dominique Farrugia (Serge), Lionel Abelanski (Thierry), Amélie Pick (Constance), Thierry Roland (Himself), Jean-Michel Larqué (Himself), Daniel Russo (Monsieur Hattus), Chantal Lauby (Madame Hattus), Yvan Attal (Un monsieur), Marie-Christine Adam (La mère de Delphine), Sylvestre Amoussou (Chauffeur de taxi), Thierry Beccaro (Le présentateur du jeu), Fabrice Benoît (L'homme invisible), Jean-Claude Bourbault (Le médecin), Philippe Chany (Philippe), Gustave de Kervern (Le serveur), Gilles Dumesnil (Jean-Louis Brochant), Marie-Charlotte Dutot (Elodie)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 91 min

The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright