Curtain Call (1940)
Directed by Frank Woodruff

Comedy

Film Review

Abstract picture representing Curtain Call (1940)
The implausibly successful double act formed by character actors Alan Mowbray and Donald MacBride is the main thing going for this routine comedy which struggles to find new mileage in a well-worn plot.  Mowbray and MacBride spark off each other superbly as a pair of likeable grouches and it is not hard to see why the film's producers brought them back for a rematch, in the much more enjoyable Footlight Fever (1941).  Helen Vinson provides further entertainment value as the diva from Hell, outshining Barbara Read in the thankless role of a writer who has too much faith in her abilities.  The satire may be crude but it contains more than a grain of truth (is it a surprise to discover that most directors hate writers and that most writers totally distrust directors and producers?).  Curtain Call is neither particularly original nor is it laugh-out-loud funny, but it passes muster as entertainment, enjoyable mainly for Mowbray's surprisingly amusing portrayal of a man driven to distraction by events beyond his control.
© James Travers 2013
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Helen Middleton is an aspiring young writer who has just written a play, 'The End of Everything' which she believes will bring her fame and fortune.  When the celebrated director Donald Avery visits her hometown for a short vacation she wastes no time trying to sell her play to him, but when he gets back to his office Avery realises that the play is the worst he has ever seen.  His producer, Jeff Crandall has more serious matters to contend with.  His star performer, Charlotte Morley, has made up her mind to defect to another producer, a move that could ruin Crandall.  In a desperate bid to force Morley to stay with him, Crandall insists that the actress must appear in one last play under the terms of her contract.  The play he chooses is of course Helen Middleton's melodramatic abomination, a play so bad that it will surely ruin Morley's reputation if she ever performs it in public.  The scheme backfires when Morley falls in love with the play and resists all attempts by Avery to rewrite it...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Frank Woodruff
  • Script: Howard J. Green (story), Dalton Trumbo
  • Cinematographer: Russell Metty
  • Music: Roy Webb
  • Cast: Barbara Read (Helen Middleton), Alan Mowbray (Donald Avery), Helen Vinson (Charlotte Morley), Donald MacBride (Geoffrey 'Jeff' Crandall), John Archer (Ted Palmer), Leona Maricle (Miss 'Smitty' Smith, Crandall's Secretary), Frank Faylen (Spike Malone), Tom Kennedy (Massage Attendent), Ralph Forbes (Leslie Barrivale), J.M. Kerrigan (Mr. Middleton), Ann Shoemaker (Mrs. Middleton), Tommy Kelly (Fred 'Freddy' Middleton), Sarah Edwards (Literary Committee Member), Helena Phillips Evans (Mrs. Masterson, The Landlady), Byron Foulger (Theater Group Director), Charlie Hall (Second Waiter), Paul Irving (Critic In Dressing Room), Frank Mills (Stagehand), Edmund Mortimer (Dressing Room Guest), William H. O'Brien (Waiter Bringing Caviar)
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 63 min

French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright