Cours toujours (2000)
Directed by Dante Desarthe

Comedy
aka: Dad on the Run

Film Review

Abstract picture representing Cours toujours (2000)
Dante Desarthe's second full-length film, Cour toujours is an ebullient, zany comedy anchored in Jewish culture, occupying the hazy territory between satire and farce.  The film is entertaining but it does not get anywhere near exploiting its full comic potential.   If anything, much of the comedy is misplaced and the film is at its best when it doesn't go overboard.  When it tries to be intentionally funny it merely ends up looking excessively contrived and ridiculous (for example, all that the business with the rabidly jealous Jewish husband).   What saves the film and gives it a quality feel it might otherwise lack is the calibre of the performances from its lead actors - Clément Sibony and Rona Hartner being particularly memorable, both clearly destined for better things.
© James Travers 2002
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Jonas and Nina are a young Jewish couple who have just given birth to a boy.  At the christening ceremony, Jonas is informed that he must bury his son's foreskin three days after he has been circumcised.  Three days later, Jonas is performing as a musician at a bar mitzvah and forgets all about this simple duty.  When his wife calls him to remind him, he rushes off to bury the foreskin, but the task proves to be far harder than he anticipated...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Dante Desarthe
  • Script: Agnès Desarthe, Dante Desarthe, Fabrice Guez
  • Cinematographer: Laurent Machuel
  • Music: Bratsch, David Lascot, Krishna Levy
  • Cast: Clément Sibony (Jonas), Rona Hartner (Nina), Isaac Sharry (Paco), Marie Desgranges (Julie), Emmanuelle Devos (Sophie), Gilbert Levy (Maurice), Edouard Montoute (Hervé), Denis Sebbah (Thierry), Dan Herzberg (Elie), François Chattot (Trouillard), Françoise Bertin (La mère de Trouillard), Rosa Barenfeld (La grand-mère), Ariel Journo (Mikaël), Armand Oiknine (Le Mohel), Gautier Vignau (Un croyant), Pierre Aknine (Norbert), Catherine Herold (La mère de Jonas), Jean Badin (Le père de Jonas), Jacqueline Zouary (La mère de Julie), Patrick Chetrit (Le père de Julie)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 84 min
  • Aka: Dad on the Run

The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright