Ce sacré grand-père (1967) Directed by Jacques Poitrenaud
Comedy / Drama
aka: The Marriage Came Tumbling Down
Film Review
The main selling points of this low-key romantic drama from director Jacques Poitrenaud are
its singular poetry and a thoroughly engaging performance from the iconic actor Michel Simon,
who still has what it takes to steal the focus in the twilight years of his glorious career.
The previous year, Simon's popularity had been given a boost through his
participation in Claude Berri's poignant wartime drama
Le Vieil homme et l'enfant (1967).
Ce sacré grand-père is probably the best film directed by
Jacques Poitrenaud, a former assistant to Roger Vadim and Michel Boisrond
whose other films include the early Louis de Funès comedy
Un drôle de caïd (1964)
and comedy-thriller Du grabuge chez les veuves (1964).
Adapted from a novel by Catherine Paysan entitled Je m'appelle Jéricho,
the film features another French cultural icon, in the form of singer
Serge Gainsbourg, who not only contributed to the film's music but also
proves himself to be a very capable and engaging actor.
Marie Dubois and Yves Lefebvre don't quite have as much impact as Simon
and Gainsbourg but they nonetheless turn in some pleasing performances.
Despite a slightly implausible plot and a simplistic view of human relationships,
Ce sacré grand-père is a charming little film which offers a moving portrayal
of estrangement and reconciliation.
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Film Synopsis
Jéricho invites his grandson Jacques and his wife Marie to spend their
summer holiday with him at his home in Lourmarin in the south of France.
Jacques accepts, even though he and Marie are separated and he is currently
in a relationship with another woman, Agathe. Certain that his grandfather
knows nothing of these developments, Jacques persuades Marie to accompany
him on the holiday and pretend they are still happily wed, for the sake of
pleasing a kind old man. Jéricho is, however, not so ignorant
as Jacques imagines. He knows that the couple have broken up and has
arranged the holiday with the express purpose of bringing Jacques and Marie
back together again...
Script: Albert Cossery,
Catherine Paysan (novel),
Jacques Poitrenaud,
Maria Suire
Cinematographer: Jean-Marc Ripert
Music: Serge Gainsbourg
Cast:Michel Simon (Le vieux Jéricho),
Marie Dubois (Marie),
Yves Lefebvre (Jacques),
Thalie Frugès (Agathe),
Serge Gainsbourg (Rémy),
Mary Marquet (La Duchesse),
Jenny Hélia (Jeanne),
Max Montavon
Country: France
Language: French
Support: Color
Runtime: 88 min
Aka:The Marriage Came Tumbling Down
The history of French cinema
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.