C'est pas ma faute! (1999) Directed by Jacques Monnet
Comedy
Film Synopsis
Martin is an energetic 11-year-old boy who has a knack of getting himself
into trouble, despite his good intentions. This year, he has been invited
by his friend Vincent to spend his summer holidays with him and his family
at a posh hotel in the country. As always, Vincent intends spending
the holidays in the company of his gang in a hut they have erected in an
ancient tree. Imagine the boy's outrage when he discovers that his
precious tree-house, nicknamed Le Baobab, has been taken over by another
gang of boys from a nearby summer camp. When the tree-house is threatened
with being demolished, the boys forget their differences and agree to work
together to save it, with the help of Étienne, a strange man who turns
out to be the tree's owner. By exercising his cunning and resourcefulness,
Martin finally has a chance to prove that he is capable of doing good things,
if and when the occasion arises...
Script: Jean-Patrick Benes, Thierry Lhermitte,
Laurent Molinaro,
Jacques Monnet
Cinematographer: Bruno de Keyzer
Music: Alexandre Desplat
Cast: Gautier Kusnierek (Martin Raynaud),
Thierry Lhermitte (Pierre Michaud),
Arielle Dombasle (Vanessa Goudard),
Martin Lamotte (Georges),
Jacques Perrin (Etienne),
Gabrielle Forest (Madame Michaud),
Patrick Guillemin (Monsieur Rossi),
Giulia Demont (Mylène),
Eugénie Gendron (Charlotte),
Jeanne Frigière (Morgane),
Jérôme Hardelay (Vincent),
Julián Gutiérrez (Nicolas),
Shaun Carvais (Edouard),
Jean-Philippe Piochelle (Tony),
Patrick Esilva (Icham),
Mandiaye Ba (Ba),
Teddy Beaudoin (Greg),
Hugo Florsheimer (Jojo),
Martin Mihelich (Kim),
Valérie Vogt (Madame Miniac)
Country: France
Language: French
Support: Color
Runtime: 90 min
The best of Japanese cinema
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.