And the Violins Stopped Playing (1988)
Directed by Alexander Ramati

Drama / War
aka: I skrzypce przestaly grac

Film Review

Abstract picture representing And the Violins Stopped Playing (1988)
Like Tony Gatlif's recent Liberté (2010), And the Violins Stopped Playing provides a sobering reminder that Jews were not the only victims of the Nazi Holocaust during WWII.  Half a million gypsies also died as part of Hitler's purification programme, either gassed in the death camps or else butchered on the roads in their attempt to evade capture.   Alexander Ramati's adaptation of his best selling novel is a profoundly moving film that does not shy away from the supreme horrors of the Holocaust, including Josef Mengele's appalling experiments on children and the traumas experienced by individuals as they see their families decimated by illness or Nazi brutality.

The film has its flaws - some of the characters are little more than caricatures and there is a slight tendency for over-sentimentalisation.  However, such is the power of the story it tells that it is hard not to be overwhelmed by it and to feel genuine anguish for the gypsy protagonists as their world is slowly torn apart by the actions of one of the most evil regimes to have ever disgraced our world.   There is a strong central performance from the German actor Horst Buchholz who, in addition to his star-making roles in The Magnificent Seven (1960) and One, Two, Three (1961), lent his talents to a number of interesting, albeit less well-known, European films such as L'Astragale (1969) and Le Sauveur (1971). Closely based on real events, And the Violins Stopped Playing is an essential visual record of humanity's darkest hour, as well as an effective plea for the gypsies of our own time to be treated with greater tolerance and understanding.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Poland, 1942.  Dymitr Mirga is a Romani gypsy whose skills as a violin player are very much appreciated by German officers.  But when he learns that Polish Jews have been cleared from the ghettos, Dymitr suspects that the gypsies will be the Nazis' next target.  Fearful of what may lie ahead, he urges his leader to order an evacuation to Hungary, a country that has so far avoided the scourge of Nazi occupation.  When the leader refuses, Dymitr is elected as his replacement as soon as the threat to the community has become evident.  The gypsies take to the road, but some go their own way, only to be caught and massacred by German soldiers.  After an arduous journey across Poland, Dymitr and his family finally reach the sanctuary of Hungary, just before the Nazis invade.  Captured by the Germans, they soon find themselves in the Auschwitz concentration camp, where unspeakable horrors await them...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Alexander Ramati
  • Script: Alexander Ramati (novel)
  • Cinematographer: Edward Klosinski
  • Music: Leopold Kozlowski, Zdzislaw Szostak
  • Cast: Horst Buchholz (Dymitr Mirga), Didi Ramati (Wala Mirga), Piotr Polk (Roman Mirga), Maya Ramati (Zoya Natkin), Kasia Siwak (Mara Mirga), Marne Maitland (Sandu Mirga), Bettine Milne (Rosa Mirga), Aldona Grochal (Wala's Sister), Wieslaw Wójcik (Bora Natkin), Ernestyna Winnicka (Zoya's mother), Marcin Tronski (Dr. Josef Mengele), Jan Machulski (Col. Krüger), Zitto Kazann (Mikita), Wojciech Pastuszko (Koro, Mikita's son), Jacek Sas-Uhrynowski (Pawel, Romans friend), Aleksander Bardini (Greczko Szura), Marek Barbasiewicz (Count Paszkowski), Jerzy Nowak (Prof. Epstein), Wladyslaw Komar (Dombrowski), Wiktor Zborowski (Tomasz)
  • Country: Poland / USA
  • Language: English
  • Support: Color
  • Runtime: 116 min
  • Aka: I skrzypce przestaly grac

The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright