Affair in Trinidad (1952)
Directed by Vincent Sherman

Crime / Drama / Thriller

Film Review

Abstract picture representing Affair in Trinidad (1952)
Affair In Trinidad marked the eagerly awaited return of Rita Hayworth to Hollywood after a four year absence during which she played the devoted wife (with disastrous results) to playboy Prince Aly Khan.  The marriage well and truly over, Hayworth was keen to get back to work, and Columbia welcomed her back with open arms and a film that promised to be a major hit.  It was.  It was as if Rita had never been away.

An obvious reworking of Hayworth's earlier success Gilda (1946), Affair In Trinidad sees the actress once again partnered with Glenn Ford, with whom she had a particularly effective on-screen rapport.  The plot (some muddled nonsense involving Nazi agents) is virtually identical to that of Gilda, with a liberal helping of plagiarism from Hitchcock's Notorious.  The camera-hogging Hayworth once again kicks off the proceedings with one of her sultry song and dance numbers, a jaw-dropping spectacle that makes a cold shower obligatory for at least half of the audience.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Chris Emery is a nightclub dancer and singer in Trinidad.  When she learns that her husband has been murdered, she agrees to act as an agent of the British secret service, who believe the culprit to be Max Fabian, a wealthy man with a criminal past.  Things become complicated when Chris's brother-in-law, Steve, puts in an unexpected appearance.  Steve appears more determined than Chris to discover why his brother died and he suspects she may be in league with Fabian...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Vincent Sherman
  • Script: Oscar Saul (play), James Gunn (play), Virginia Van Upp (story), Berne Giler (story)
  • Cinematographer: Joseph Walker
  • Music: George Duning
  • Cast: Rita Hayworth (Chris Emery), Glenn Ford (Steve Emery), Alexander Scourby (Max Fabian), Valerie Bettis (Veronica Huebling), Torin Thatcher (Inspector Smythe), Howard Wendell (Anderson), Karel Stepanek (Walters), George Voskovec (Doctor Franz Huebling), Steven Geray (Wittol), Walter Kohler (Peter Bronec), Juanita Moore (Dominique), Gregg Martell (Olaf), Mort Mills (Martin), Ralph Moody (Coroner), Fred Baker (Baker - Airport Clerk), Don Blackman (The Bobby), Robert Boon (Pilot), Ivan Browning (Fisherman), James Conaty (Party Guest), Ross Elliott (Corpse of Neal Emery)
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 98 min

The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The greatest French Films of all time
sb-img-4
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright