Affair in Trinidad (1952)
Directed by Vincent Sherman

Crime / Drama / Thriller

Film Review

Abstract picture representing Affair in Trinidad (1952)
Affair In Trinidad marked the eagerly awaited return of Rita Hayworth to Hollywood after a four year absence during which she played the devoted wife (with disastrous results) to playboy Prince Aly Khan.  The marriage well and truly over, Hayworth was keen to get back to work, and Columbia welcomed her back with open arms and a film that promised to be a major hit.  It was.  It was as if Rita had never been away.

An obvious reworking of Hayworth's earlier success Gilda (1946), Affair In Trinidad sees the actress once again partnered with Glenn Ford, with whom she had a particularly effective on-screen rapport.  The plot (some muddled nonsense involving Nazi agents) is virtually identical to that of Gilda, with a liberal helping of plagiarism from Hitchcock's Notorious.  The camera-hogging Hayworth once again kicks off the proceedings with one of her sultry song and dance numbers, a jaw-dropping spectacle that makes a cold shower obligatory for at least half of the audience.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Chris Emery is a nightclub dancer and singer in Trinidad.  When she learns that her husband has been murdered, she agrees to act as an agent of the British secret service, who believe the culprit to be Max Fabian, a wealthy man with a criminal past.  Things become complicated when Chris's brother-in-law, Steve, puts in an unexpected appearance.  Steve appears more determined than Chris to discover why his brother died and he suspects she may be in league with Fabian...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Vincent Sherman
  • Script: Oscar Saul (play), James Gunn (play), Virginia Van Upp (story), Berne Giler (story)
  • Cinematographer: Joseph Walker
  • Music: George Duning
  • Cast: Rita Hayworth (Chris Emery), Glenn Ford (Steve Emery), Alexander Scourby (Max Fabian), Valerie Bettis (Veronica Huebling), Torin Thatcher (Inspector Smythe), Howard Wendell (Anderson), Karel Stepanek (Walters), George Voskovec (Doctor Franz Huebling), Steven Geray (Wittol), Walter Kohler (Peter Bronec), Juanita Moore (Dominique), Gregg Martell (Olaf), Mort Mills (Martin), Ralph Moody (Coroner), Fred Baker (Baker - Airport Clerk), Don Blackman (The Bobby), Robert Boon (Pilot), Ivan Browning (Fisherman), James Conaty (Party Guest), Ross Elliott (Corpse of Neal Emery)
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 98 min

The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright