Abbott and Costello Meet the Mummy (1955)
Directed by Charles Lamont

Comedy / Adventure / Horror

Film Review

Abstract picture representing Abbott and Costello Meet the Mummy (1955)
Abbott and Costello's final film for Universal Pictures (and their penultimate collaboration) brought to an end a series of popular films in which the comedy duo encountered the many villains and monsters which had featured in the studio's previous films.  Meet the Mummy is mildly entertaining but it is by no means the best in the series - the plot, what there is of it, is a mess, the humour is juvenile and the titular monster barely puts in more than a fleeting appearance.   The two stars don't even seem to have bothered reading the script, since they refer to each other by their real names throughout the film!

Of all of Universal's legendary horror fiends, the Mummy is probably the one that is easiest to lampoon, mainly because the studio had, in the course of a handful of films, transformed a genuinely frightening creature into a rather silly walking (or, more accurately, shambling) cliché.  Unlike the memorable Abbott and Costello Meet Frankenstein (1948), this film doesn't even try to parody Universal's horror films but merely offers us something in the prep school burlesque line, consisting mainly of two twits being chased up and down lots of unconvincing tunnels by a rather sad looking man wrapped up in bandages.  It's silly, chaotic, and desperately puerile, but, for all that, Abbott and Costello Meet the Mummy still manages to raise a smile, and even the odd laugh - although this one is probably better suited for the kiddies than us judgemental grown-ups.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Two Americans, Freddie Franklin and Peter Patterson, find themselves stranded in Cairo, desperate to find the money so they can get back to their own country.  They visit the archaeologist Dr Zoomer, hoping that he will give them the job of taking an Egyptian mummy he has discovered to America.  Unfortunately, Zoomer has been killed and the mummy has been stolen by members of a mysterious sect.  The ruthless Madame Rontru is equally keen to recover the mummy since she believes it will tell her where to find a lost treasure.  What no one realises is that the mummy, Klaris, is far from inactive and will soon awake from his long sleep...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Charles Lamont
  • Script: Lee Loeb (story), John Grant
  • Cinematographer: George Robinson
  • Music: Irving Gertz, Henry Mancini, Lou Maury, Hans J. Salter
  • Cast: Bud Abbott (Pete Patterson), Lou Costello (Freddie Franklin), Marie Windsor (Madame Rontru), Michael Ansara (Charlie), Dan Seymour (Josef), Richard Deacon (Semu), Kurt Katch (Dr. Gustav Zoomer), Richard Karlan (Hetsut), Mel Welles (Iben), George Khoury (Habid), Eddie Parker (Klaris, the Mummy), Mazzone-Abbott Dancers (Dance Troupe), Chandra Kaly and His Dancers (Dance Troupe), Peggy King (Vocalist), Kenneth Alton (Policeman), Jan Arvan (Waiter), Ralph Brooks (Cafe Patron), Jack Chefe (Cafe Patron), Carole Costello (The Flower Girl), Kem Dibbs (Policeman)
  • Country: USA
  • Language: English / French
  • Support: Black and White
  • Runtime: 79 min

The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright