À boire (2004)
Directed by Marion Vernoux

Comedy

Film Review

Abstract picture representing A boire (2004)
Whatever appeal this chaotic comedy has wears exceedingly thin after the first twenty minutes or so - in spite of its attractive cast and the fact that it was directed by Marion Vernoux, the director of such popular films as Love, etc. (1996) and Reines d'un jour (2001).  The main failing with the film is that little effort appears to have go into defining the main characters - all come across as dull, rather unsympathetic caricatures who just seem to have been randomly thrown into a story that has next to no structure.  The seemingly endless repetition of some pretty crass comedy routines doesn't improve matters.  Maybe this is one of those films that looks better after you have knocked back a few large measures of vodka...
© James Travers 2008
The above content is owned by frenchfilms.org and must not be copied.
Next Marion Vernoux film:
Personne ne m'aime (1994)

Film Synopsis

Pierre-Marie Archimbault's chronic addiction to alcohol not only threatens his health and his personal finances, it is also putting in jeopardy his marriage and his career as a doctor.  The moment of truth comes one Christmas when, unwilling to put up with his drinking binges any more, his wife throws him out into the street.  Knowing that he must overcome his alcoholism before it completely destroys him, Pierre-Marie heads off to a ski resort for a long overdue holiday.  The vacation gets off to a bad start when the recovering alcoholic collides with Seb Abd Al Abbas, the worst skier in the world, and ends up with a severe head injury.  Seb gets off lightly with a damaged arm.  Inès Laure is also involved in the accident, and she seems to be as ill-fated as Pierre-Marie.  Her boyfriend has just walked out on her and left her with a parting gift she could well have done without - a hotel bill for 12,000 euros that she has no hope of paying.  Seb, Inès and Pierre-Marie are three strangers brought together by adversity and the mutual need to share a stiff drink.  Will they be able to help each other back up life's steep and slippery slope, or will they merely drag each other down even further...?
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Marion Vernoux
  • Script: Thomas Bidegain, Frédéric Jardin, Marion Vernoux
  • Cinematographer: Dominique Colin
  • Music: Bogue, Alexandre Desplat
  • Cast: Emmanuelle Béart (Inès Larue), Edouard Baer (Pierre-Marie Archambault), Atmen Kelif (Seb Abd Al Abbas), Yves Verhoeven (Serge-André), Jean-Michel Tinivelli (Patrick), Pierre-Louis Lanier (Le réceptionniste), Claude Perron (Madame Guibal), Jackie Berroyer (Monsieur Guibal), Marina Foïs (Bénédicte), Ludovic Abgrall (Jean Pierre), Tom Assas (Petit Garçon Haghrebin), Rebecca Bernier (Enfant platre), Fanny Bichard (Femme de chambre 2), Elena Bonherry (Mimi), Nina Bonherry (Skieuse), Marie-Pierre Braisaz (Cliente), Christelle Carlier (La Femme), Alexandra Carlioz (Hostesse), Audrey Chareras (Femme de chambre), Jérôme Colonna (Medecin remplacant)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 90 min

The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright