588 rue paradis (1993)
Directed by Henri Verneuil

Drama
aka: Mother

Film Synopsis

It has been forty years since Azad Zakarian, then just a boy, fled Armenia and settled in France with his family.  Thanks to his parents' selfless devotion to him, Azad has had the best education a boy of his age could hope to get himself and now he is a prominent writer, better known by his pseudonym Pierre Zakar.  He leads a comfortable and contented life with his wife Carole, whom he met on the banks of Lake Geneva.  Throughout his life, Azad has been haunted by his childhood recollections.  He was only six when he left Armenia, but his flight from Turkish oppression is still etched on his mind.  Now in his mid-forties, he feels up to the task of writing a play inspired by his earliest memories.  Entitled La Chevalière, the play will allow the writer to reconnect with his roots and reaffirm his Armenian identity.

As rehearsals for the play get underway at a Paris theatre, Azad invites his father Hagop to the capital to attend the performance, putting him up in a posh hotel.  Hagop has aged considerably since his son last saw him and he is looking for more warmth than Azad is capable of offering him.  A silly misunderstanding results in the two men falling out.  As the disappointed old man heads back to his home in Marseille, Azad is left feeling that he has let him down.  This was not what he intended.  Azad's sense of guilt is worsened when his father dies not long afterwards.  Through his highly emotional reunion with his mother, the writer experiences another rush of memories which will inspire him in his future work...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Henri Verneuil
  • Script: Henri Verneuil
  • Cinematographer: Edmond Richard
  • Music: Jean-Claude Petit
  • Cast: Richard Berry (Pierre Zakar), Omar Sharif (Hagop), Nathalie Roussel (Gayane), Claudia Cardinale (Araxi (Mayrig)), Diane Bellego (Carole), Jacky Nercessian (Apkar), Isabelle Sadoyan (Anna), Zabou Breitman (Astrid Sétian), Jacques Villeret (Alexandre), Sylvie Joly (Georgette Sylva), Cédric Doucet (Azad age 7), Tom Ponsin (Azad age 12), Stéphane Servais (Azad age 20), Danièle Lebrun (Alexandre's mother), Maurice Chevit (Nazareth), Nicolas Vacaro (Tigrane), Bernard Musson (Butler), Henri Verneuil (A priest in an Armenian church), Ginette Garcin, Ève Ruggieri
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 130 min
  • Aka: Mother

The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright