Un idiot à Paris (1967)
Directed by Serge Korber

Comedy
aka: Idiot in Paris

Film Review

Abstract picture representing Un idiot a Paris (1967)
This rather bloodless comedy is marred by a weak script (which has few jokes and a rather silly storyline based around tiresome stereotypes) and one major casting error.  Jean Lefebvre is a sympathetic actor who works well in a supporting role along side “bigger” actors - such as Louis de Funès in the Gendarme series.  Unfortunately, he has neither the charisma nor acting talent to carry a film such as this.  His portrayal of a village idiot is not just unconvincing; it's unpardonably two-dimensional.  His co-stars aren't much better either, although the script is largely to blame.  Only two actors look as if they are interested in what they are doing and take the thing seriously: Robert Dalban and Bernard Blier.  It's a pity that the film is so beautifully shot and has a nice Jacques Brel number; it really doesn't deserve it.
© James Travers 2006
The above content is owned by frenchfilms.org and must not be copied.
Next Serge Korber film:
La Petite vertu (1968)

Film Synopsis

Goubi, the popular idiot of a small rural town in central France, has only two dreams: to marry the mayor's daughter Berthe and to visit Paris.  He may not stand much chance of getting the girl he wants, but he does get to see his favourite city, thanks to a prank played on him by a pair of market gardeners.  On regaining consciousness after drinking himself senseless Goubi finds himself in the busy Halles market in Paris and, scarcely believing his good fortune, immediately sets out to explore the capital.  He accepts a lift from a good natured prostitute, La Fleur, and then strikes up a friendship with a meat wholesaler, Monsieur Dessertine, who like him was brought up in state care.  With Dessertine's help, Goubi finally manages to fulfil his dream of seeing the Eiffel Tower.  It is on the Champ-de-Mars that Goubi falls in with a louche student who gets him into trouble.  Arrested for causing a public nuisance, Goubi renews his acquaintance with La Fleur, who confides in him her dream of owning her own farm in the country.  Goubi knows just the place...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Serge Korber
  • Script: Michel Audiard, Serge Korber, Jean Vermorel, René Fallet (novel)
  • Cinematographer: Jean Rabier
  • Music: Bernard Gérard
  • Cast: Dany Carrel (Juliette dite 'La fleur'), Jean Lefebvre (Goubi), Bernard Blier (Léon Dessertine), Robert Dalban (Patouilloux), Micheline Luccioni (Lucienne), Fernand Berset (Jules Grafouillères), Jean Carmet (Ernest Grafouillères), Albert Rémy (Rabichon), Bernadette Lafont (Berthe Patouilloux), André Pousse (Le chauffeur de taxi), Paul Préboist (Le gardien du square), Philippe Avron (François Flutiaux), Yves Robert (Marcel Pitou), Lucien Raimbourg (Catolle), Jeanne Pérez (Germaine Catolle), Hubert de Lapparent (Police inspector Pingeon), Robert Castel (Un agent de police), Jean-Claude Massoulier (Un inspecteur), Pierre Richard (L'agent de police Boudinos), Rene Aranda (Le serveur du restaurant Rabichon)
  • Country: France
  • Language: French
  • Support: Color (Eastmancolor)
  • Runtime: 90 min
  • Aka: Idiot in Paris

The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright