Et mourir de plaisir (1960)
Directed by Roger Vadim

Horror / Fantasy / Drama
aka: Blood and Roses

Film Review

Abstract picture representing Et mourir de plaisir (1960)
After Les Liaisons dangereuses, film director Roger Vladimir Plemiannikov, better known as Roger Vadim, made Et mourir de plaisir, a horror movie adapted in all its splendour from the novel Carmilla written in 1872 by the Irish writer Joseph Sheridan le Fanu, transposed to the 1960s.  This Franco-Italian production came out in cinemas on the 14th September 1960 and has a spectacular location, Hadrian's villa in the splendid Italian countryside.  The film is photographed by Claude Renoir in ravishing colour and black and white and has an exquisite score by Jean Prodomires featuring the rarely used Irish Harp.

Better known for his great taste in woman (Brigitte Bardot, Catherine Deneuve, Jane Fonda) than for his filmmaking talents, Vadim's cast is an interesting combination of international stars.  Christopher Lee was considered for the role of Count Karnestein but the part went to his friend Mel Ferrer.  The lead female role went to the Italian actress Elsa Martinelli, a familiar face beside actors such as Kirk Dougla, Robert Hossein, Bourvil, Orson Welles, John Wayne and Jean Marais.  Ferrer and Martinelli have a wonderful chemistry together and the supporting actors are perfectly chosen - the one who steals the show is the gorgeous Danish actress Annette Stroyberg, who became Annette Vadim when she married the director after making the film.  Stroyberg's performance is a mysterious combination of detachment, passivity and childlike felicity; the actress totally brings her character to life (not that this should be too difficult for a vampire...).  In a small part, we recognise French film director Marc Allégret, who had given Vadim an early start when he engaged him as his assistant.

Let's not beat about the bush - Vadim's direction fails to get the full potential out of the story and there are a couple of jarring moments that don't sit right.  Of course, romance and vampires were an unusual mix at the time in French cinema but still the plot shows more eroticism than horror and the vampire themes are more soft-focus and soft-core in intent.  Nevertheless, Vadim's adaptation is a dark and tragic story with a gentle Gothic atmosphere, an enchanting and harrowing piece of work which is occasionally compulsive with some undeniably striking shots.

At the time, the film was criticised for some sequences involving Martinelli and Stroyberg on account of their freely erotic lesbian character, although Vadim responded by saying this was merely an expression of Carmilla's predilection for female victims.  Et mourir de plaisir is a rare incursion by French cinema into a universe which belonged almost exclusively to the British and Americans.  Sadly, the film is currently only available as a bad VHS print which doesn't show its full Technicolor glory.  Hopefully one day Paramount will release this unknown gem on DVD or Blu-ray with its gorgeous visuals as Vadim intended.
© Willems Henri (Brussels, Belgium) 2012
The above content is owned by frenchfilms.org and must not be copied.
Next Roger Vadim film:
La Bride sur le cou (1961)

Film Synopsis

Carmilla von Karstein is both fascinated and perturbed when she hears that a forebear of hers, Millarca, narrowly escaped the fate reserved for vampires: a stake through the heart.  She is enjoying herself at a lavish party given by her cousin Leopoldo to mark his engagement to Georgia Monteverdi when a nearby abbey is struck by an inexplicable explosion.  Unable to contain her curiosity, Carmilla enters the ancient building and finds a secret passage, which leads to a tomb containing the mortal remains of her famous ancestor, Millarca.

It is not long afterwards that Carmilla's entourage notices a strange and profoundly worrying change in her behaviour.  Her cousin Leopoldo's suspicions that she has been corrupted by evil appear to be confirmed when the dead body of a peasant girl is found, with the mark of the vampire upon her.  Carmilla's next victim is her cousin's fiancée, whom she visits when she is sleeping.  When she awakes after a terrible nightmare, Georgia is horrified to find there is a small bite on her neck.  It seems that the vampire has returned, reborn in Carmilla...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Roger Vadim
  • Script: Claude Brulé (story), Sheridan Le Fanu (novel), Claude Martin (story), Roger Vadim, Roger Vailland
  • Cinematographer: Claude Renoir
  • Music: Jean Prodromidès
  • Cast: Mel Ferrer (Leopoldo De Karnstein), Elsa Martinelli (Georgia Monteverdi), Annette Vadim (Carmilla), Alberto Bonucci (Carlo Ruggieri), René-Jean Chauffard (Dr. Verari), Gabriella Farinon (Lisa), Serge Marquand (Giuseppe), Edith Peters (The Cook), Nathalie Lafaurie (Marie), Carmilla Stroyberg (Martha), Marc Allégret (Judge Monteverdi), Giovanni Di Benedetto (Police Marshal), Renato Speziali (Guido Naldi), Peters Catalano
  • Country: France / Italy
  • Language: French
  • Support: Color
  • Runtime: 87 min
  • Aka: Blood and Roses ; To Die with Pleasure

The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright