Une parisienne (1957)
Directed by Michel Boisrond

Comedy
aka: La Parisienne

Film Review

Abstract picture representing Une parisienne (1957)
Despite some very funny moments, this film is really little more than a pretty mediocre romantic farce.  It is almost embarrassing to watch such luminaries of French cinema as Charles Boyer, Henri Vidal and Brigitte Bardot trying to make something of such a lacklustre script.  That the film stands up at all is largely due to their combined efforts.  Brigitte Bardot in particular shows a natural flair for comedy and offers a generally pleasing performance.

The film would have worked better as a send-up to the kind of shallow overly sentimental films that were pouring out of Hollywood at the time.  Unfortunately, it seems more concerned with poking fun at the bourgeois elite without offering anything original.  The film resorts too willingly to cheap belly-laughs and inept one-liners which undermine the credibility of the piece.

The Bardot-Vidal cross-fire is amusing, but never quite believable, and how even Brigitte Bardot could so easily entrap a foreign prince stretches credulity to breaking point.  Still, if you don't take the film at all seriously and are after some harmless light entertainment, it should not be too much of a disappointment.
© James Travers 2000
The above content is owned by frenchfilms.org and must not be copied.
Next Michel Boisrond film:
Faibles femmes (1959)

Film Synopsis

Brigitte Laurier, the remarkably good-looking daughter of the present Prime Minister of France, is used to getting her own way.  When she falls in love with Michel Legrand, her father's principal secretary, she is determined to marry him, even though he shows her no encouragement and has no interest in her.  Undeterred, Brigitte turns a chance meeting between Michel and his former mistress Caroline to her advantage and, to avoid a scandal, Michel has no choice but to make Brigitte his wife.  Brigitte's hopes that marriage would turn her reluctant beau idéal into a devoted husband prove to be misguided.  Aware of Michel's former reputation as a Casanova she suspects he is seeing other women, so to get her own back she decides to make him jealous - by throwing herself at the first man that comes by.  As luck would have it, that man happens to be Prince Charles, the consort of a country that is a close ally of France, during an official state visit.  The prince proves to be far from immune to Brigitte's obvious charms...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Michel Boisrond
  • Script: Annette Wademant, Jean Aurel, Jacques Emmanuel, Michel Boisrond
  • Cinematographer: Marcel Grignon
  • Music: Henri Crolla, André Hodeir, Hubert Rostaing
  • Cast: Charles Boyer (Le prince Charles), Henri Vidal (Michel Legrand), Brigitte Bardot (Brigitte Laurier), Noël Roquevert (Le docteur d'Herblay), Madeleine Lebeau (Monique Wilson), Fernand Sardou (Fernand le Barman), Claire Maurier (Caroline Herblay), Robert Pizani (Ambassadeur Mouchkine), Guy Tréjan (Le colonel d'aviation), Judith Magre (Irma), Harry-Max (L'ambassadeur), Marcel Charvey (Un mauvais garçon), Vera Talchi (Titine), Marcel Pérès (Le général), Henri Cogan (Un bagarreur), Hubert de Lapparent (L'huissier du président), Nadia Gray (La reine Greta), André Luguet (Alcide Laurier), Daniel Emilfork (Un huissier d'ambassade), Renée Gardès (Juliette)
  • Country: Italy / France
  • Language: French
  • Support: Color
  • Runtime: 86 min
  • Aka: La Parisienne

The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright