Le Prix à payer (2007)
Directed by Alexandra Leclère

Comedy / Drama
aka: The Price to Pay

Film Review

Abstract picture representing Le Prix a payer (2007)
For her second full-length film, director Alexandra Leclère takes a darkly cynical, almost misogynistic, look at the male-female relationship and prompts us to contemplate whether the woman's role is inevitably that of the paid prostitute, especially when the man is the breadwinner.  Le Prix à payer is far more subtle and intelligent than its trailer and some critics would have us believe, and, whilst it is far from perfect, it provides an amusing meditation on what men and women expect from their conjugal relationship.  Far too many films of late have tackled the subject lightly, even flippantly.  It makes a change to see a film where the issue of ownership in a relationship is explored truthfully, rather than to have to sit through the usual morass of clichés and Mills & Boon style dross.  

As in her previous film, Les Soeurs fâchées (2004), Alexandra Leclère has the benefit of a first rate cast, which she employs with great skill to deliver a film that is both witty and true to life (albeit somewhat caricatured in a few scenes).  Christian Clavier and Gérard Lanvin form an amusing buddy double act - incredible to think that the last time they appeared together was in the 1989 film Mes meilleurs copains.  Nathalie Baye just seems to get better and better as the years pass and is at the height of her powers here, with one look that could kill at a hundred paces and another that could make any man her willing slave for eternity (or until she got bored with him).  Add supports of the calibre of Géraldine Pailhas and Patrick Chesnais to the mix and the film's obvious shortcomings - its uneven pace and a few misfired attempts at humour - are easily forgiven.  Le Prix à payer is provocative fun that offers a sobering reflection on how men and women treat one another in a relationship in our "money talks" era.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Next Alexandra Leclère film:
Maman (2012)

Film Synopsis

To the outside world, Jean-Pierre Ménard has everything a man could want to be happy.  He has a well-paid job, a beautiful wife, a daughter, a chauffeur-driven car...  But there is one thing he doesn't have - someone to share his bed.  When he raises the matter with his chauffeur the response he gets is: Cut off her assets!  Taking this literally, Jean-Pierre gives his wife an ultimatum: no conjugals, no money.  Big mistake...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Alexandra Leclère
  • Script: Alexandra Leclère
  • Cinematographer: Jean-François Robin
  • Music: Philippe Eidel
  • Cast: Christian Clavier (Jean-Pierre Ménard), Nathalie Baye (Odile Ménard), Gérard Lanvin (Richard), Géraldine Pailhas (Caroline), Patrick Chesnais (Grégoire), Anaïs Demoustier (Justine Ménard), Maud Buquet (La prostituée), Francis Leplay (Agent immobilier), Jean-François Robin (Homme immobilier), Josselin de Tonquedec (Homme guichet métro), Charlotte Gerbault (Femme guichet métro), Carmelita Tuazan (Mel), Antoine Smadja (Barman), Emilie Lafarge (Jacqueline), Philippe Breton (Automobiliste énervé), Johanna Cohen (Jeune femme restaurant), Céline Piccimin (Jeune femme réception), Samuel Amsterdamer (Enfant), Célestin Chapelain (Enfant)
  • Country: France
  • Language: French / English
  • Support: Color
  • Runtime: 95 min
  • Aka: The Price to Pay

The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright