Le Comte de Monte Cristo (1943)
Directed by Robert Vernay

Drama
aka: The Count of Monte Cristo

Film Review

Abstract picture representing Le Comte de Monte Cristo (1943)
Although somewhat overshadowed by Vernay's subsequent Monte Cristo film which starred the legendary Jean Marais, this film is a respectable adaptation of the famous Alexandre Dumas novel.  It was made in two parts, each roughly about 90 minutes long, and was a Franco-Italian production, made under the watchful gaze of the Nazi overlords.

The privations of war-torn Europe are banished in what, even now, appears to be a lavish period production.  No expense was spared on the sets, which include some extravagant décor, and well choreographed crowd scenes (including numerous ballroom sequences) create at least the illusion of opulence.

Whilst some of the acting is a little wooden, the film offers some memorable acting performances.  Pierre-Richard Willim's Edmond Dantès contains just the right blend of bitterness and compassion, making his a plausible contender for the best screen Monte Cristo.

The film runs to three hours in total, but it rarely appears to drag, benefiting from a fine script and making full capital of the story's dramatic moments.  Whether deliberately or not, the shadow of French poetic realism haunts the film, lending some disturbing moments, such as the murder of the jewel merchant and Cristo's final merciless confrontation with his enemies.

The Monte Cristo story has been adapted so many times for cinema (28 versions between 1907 à 1971) that some of the best adaptations have been almost overlooked.  Vernay's film certainly deserves a higher profile than it has enjoyed to date, even if it lacks the star names which make some of the other versions more saleable.
© James Travers 2001
The above content is owned by frenchfilms.org and must not be copied.
Next Robert Vernay film:
Le Père Goriot (1945)

Film Synopsis

On the day of his engagement to his beloved Mecédès the mariner Edmond Dantès is arrested for treason and sent to the Château d'If, an island prison. He realises that he has been betrayed by a rival sailor, his fiancé's former suitor and a corrupt state procurer.  Several years pass before Dantès meets a fellow prisoner, Abbé Faria, who was also wrongly imprisoned.  Before he dies, the Abbé tells Dantès about a fabulous secret treasure buried on the island of Monte Cristo. Dantès profits from the Abbé's death to escape from the island.  Having regained his freedom, his sole preoccupation is to take vengeance on those who ruined his life...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Robert Vernay
  • Script: Daniel Ivernel, Alexandre Dumas père (novel), Georges Neveux, Robert Vernay
  • Cinematographer: Robert Juillard
  • Music: Jean Wiener
  • Cast: Jean Marais (Edmond Dantès), Lia Amanda (Mercédès Herrera (1)), Daniel Ivernel (Gaspard Caderousse (1)), Folco Lulli (Jacopo (1) - (2)), Louis Seigner (Le bijoutier Joannès (1)), Claude Génia (La Carconte (1)), Jean Témerson (Le roi Louis XVIII (1)), France Asselin (Renée de Villefort (1)), Julien Bertheau (L'empereur Napoléon I), Lucien Blondeau (Dantès père (1)), André Brunot (L'armateur Morel (1)), Gualtiero Tumiati (L'abbé Faria (1)), Jacques Castelot (Gérard de Villefort), Noël Roquevert (Le colonel Noirtier de Villefort), Roger Pigaut (Fernand de Morcerf), Paolo Stoppa (Bertuccio (2)), Simone Paris (Émilienne de Beaugency (2)), Daniel Cauchy (Bruno), Jean-Pierre Mocky (Albert de Morcerf (2)), Marcel Journet (Le président de la chambre des Pairs (2))
  • Country: France / Italy
  • Language: French
  • Support: Color
  • Runtime: 183 min
  • Aka: The Count of Monte Cristo

The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright